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Views from the Choir Loft

Sir David Willcocks (1919-2015)

Andrew Leung · September 17, 2015

CTL Sir David Willcocks HE WORLD OF MUSIC have suffered a great loss today. Sir David Willcocks passed away at the age of 95. According to King’s College, he died peacefully at home on September 17. Sir Willcocks was a well-known British choral conductor, organist and composer.

Sir David Willcocks was born in Newquay in 1919, he became a chorister at Westminster Abbey at the age of eight, where he was conducted by Sir Edward Elgar. He directed the Choir of King’s College, Cambridge, from 1957 to 1974, where recordings and broadcasts were frequently made. Before that, he served at the Salisbury Cathedral and the Worcester Cathedral. He was also director of the Royal College of Music in London. He was appointed a Commander of the Order of the British Empire in 1971 and was created a Knight Bachelor in 1977 in the Queen’s Silver Jubilee Honors. He held honorary degrees from over ten universities in England, USA and Canada.

Sir Willcocks is particularly well-known for his association with the Choir of King’s College. His connection with the college began in 1939 when he became an organ scholar. He was elected to a fellowship in 1947 and subsequently held the post of Director of Music. There, he wrote several descants and carol arrangements for the annual service of the Nine Lessons and Carols. These descants and arrangements were published in the series of Carols for Choirs which he edited along with Reginald Jacques and John Rutter. Under his direction, the Choir of King’s College made numerous recordings and gave concerts worldwide. They also made appearances on television and radio.

His book, 100 Carols for Choirs is one that every parish must have in their music library! It is a selection of one hundred most popular carols and hymns for Advent and the Christmas season. There are some glorious descants and beautiful arrangements of the organ accompaniments in the book.

He wrote the famous arrangement of O Come, All Ye Faithful that being used all over the world every Christmas, including St. Peter Basilica in the Vatican. Here is a video of Choir of King’s College singing the carol at the Lessons and Carols 2009:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

Recent Posts

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  • Pope Pius XII Hymnal?
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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