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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sir David Willcocks (1919-2015)

Andrew Leung · September 17, 2015

CTL Sir David Willcocks HE WORLD OF MUSIC have suffered a great loss today. Sir David Willcocks passed away at the age of 95. According to King’s College, he died peacefully at home on September 17. Sir Willcocks was a well-known British choral conductor, organist and composer.

Sir David Willcocks was born in Newquay in 1919, he became a chorister at Westminster Abbey at the age of eight, where he was conducted by Sir Edward Elgar. He directed the Choir of King’s College, Cambridge, from 1957 to 1974, where recordings and broadcasts were frequently made. Before that, he served at the Salisbury Cathedral and the Worcester Cathedral. He was also director of the Royal College of Music in London. He was appointed a Commander of the Order of the British Empire in 1971 and was created a Knight Bachelor in 1977 in the Queen’s Silver Jubilee Honors. He held honorary degrees from over ten universities in England, USA and Canada.

Sir Willcocks is particularly well-known for his association with the Choir of King’s College. His connection with the college began in 1939 when he became an organ scholar. He was elected to a fellowship in 1947 and subsequently held the post of Director of Music. There, he wrote several descants and carol arrangements for the annual service of the Nine Lessons and Carols. These descants and arrangements were published in the series of Carols for Choirs which he edited along with Reginald Jacques and John Rutter. Under his direction, the Choir of King’s College made numerous recordings and gave concerts worldwide. They also made appearances on television and radio.

His book, 100 Carols for Choirs is one that every parish must have in their music library! It is a selection of one hundred most popular carols and hymns for Advent and the Christmas season. There are some glorious descants and beautiful arrangements of the organ accompaniments in the book.

He wrote the famous arrangement of O Come, All Ye Faithful that being used all over the world every Christmas, including St. Peter Basilica in the Vatican. Here is a video of Choir of King’s College singing the carol at the Lessons and Carols 2009:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

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