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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

10 Ideas for Practicing Choral Music

Andrew Leung · September 15, 2015

CTL Choral Singer N ARTICLE came up on my Facebook today and I just want to share it. The article is entitled: “Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own”, was written by Doreen Fryling, who also happened to be a “lifelong practice avoider” according to herself. In her article, she listed ten ways or methods to help singers practice on their own. Even though this article is written for, I believe, professional musicians, music students and those who can read music, but some of her methods can be helpful for ordinary parish music programs, where half or most of the choir members don’t read music.

For those who read music, you should try all ten methods; for those who cannot read music, you should at least try the first three methods and always bring a pencil to rehearsals (method 9). The first three ways to rehearse on your own can be done by anyone, whether you have musical background or not: (1) Start with the text, (2) Listen to a recording and (3) Analyze your music.

The text of a piece of Sacred Music is the ”soul’’. Singers must understand the text in order to make the Liturgical piece a prayer to God. With the technology nowadays, translations and recordings can be found easily. Try to listen to a good recording and that should help you get an idea of the melody and the basic structure of the piece. And don’t forget to mark your music for any repeats, dynamics, special rythms and notes from the director. Doing the first steps should help you learn a new piece easier and quicker.

If you are a director, consider taking an extra step. Send an email with links to good recordings or even make your own recordings. Choir members always appreciate the extra efforts. But make sure you also spend some time at the beginning of the rehearsal to help your singers to read music, so they won’t just rely on the recordings. I have been doing it myself ans it makes my rehearsals more efficient and enjoyable. Share the article with your choir members and encourage them to at least do the first three steps on their own. The other steps become the responsibility of the director in most parish situation and that’s why we have rehearsals.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The liturgical reform bears absolutely no relation to what is called “desacralization” and in no way intends to lend support to the phenomenon of “secularizing the world.” Accordingly the rites must retain their dignity, spirit of reverence, and sacred character.

— Sacred Congregation for Divine Worship (5 September 1970)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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