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Views from the Choir Loft

10 Ideas for Practicing Choral Music

Andrew Leung · September 15, 2015

CTL Choral Singer N ARTICLE came up on my Facebook today and I just want to share it. The article is entitled: “Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own”, was written by Doreen Fryling, who also happened to be a “lifelong practice avoider” according to herself. In her article, she listed ten ways or methods to help singers practice on their own. Even though this article is written for, I believe, professional musicians, music students and those who can read music, but some of her methods can be helpful for ordinary parish music programs, where half or most of the choir members don’t read music.

For those who read music, you should try all ten methods; for those who cannot read music, you should at least try the first three methods and always bring a pencil to rehearsals (method 9). The first three ways to rehearse on your own can be done by anyone, whether you have musical background or not: (1) Start with the text, (2) Listen to a recording and (3) Analyze your music.

The text of a piece of Sacred Music is the ”soul’’. Singers must understand the text in order to make the Liturgical piece a prayer to God. With the technology nowadays, translations and recordings can be found easily. Try to listen to a good recording and that should help you get an idea of the melody and the basic structure of the piece. And don’t forget to mark your music for any repeats, dynamics, special rythms and notes from the director. Doing the first steps should help you learn a new piece easier and quicker.

If you are a director, consider taking an extra step. Send an email with links to good recordings or even make your own recordings. Choir members always appreciate the extra efforts. But make sure you also spend some time at the beginning of the rehearsal to help your singers to read music, so they won’t just rely on the recordings. I have been doing it myself ans it makes my rehearsals more efficient and enjoyable. Share the article with your choir members and encourage them to at least do the first three steps on their own. The other steps become the responsibility of the director in most parish situation and that’s why we have rehearsals.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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