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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

10 Ideas for Practicing Choral Music

Andrew Leung · September 15, 2015

CTL Choral Singer N ARTICLE came up on my Facebook today and I just want to share it. The article is entitled: “Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own”, was written by Doreen Fryling, who also happened to be a “lifelong practice avoider” according to herself. In her article, she listed ten ways or methods to help singers practice on their own. Even though this article is written for, I believe, professional musicians, music students and those who can read music, but some of her methods can be helpful for ordinary parish music programs, where half or most of the choir members don’t read music.

For those who read music, you should try all ten methods; for those who cannot read music, you should at least try the first three methods and always bring a pencil to rehearsals (method 9). The first three ways to rehearse on your own can be done by anyone, whether you have musical background or not: (1) Start with the text, (2) Listen to a recording and (3) Analyze your music.

The text of a piece of Sacred Music is the ”soul’’. Singers must understand the text in order to make the Liturgical piece a prayer to God. With the technology nowadays, translations and recordings can be found easily. Try to listen to a good recording and that should help you get an idea of the melody and the basic structure of the piece. And don’t forget to mark your music for any repeats, dynamics, special rythms and notes from the director. Doing the first steps should help you learn a new piece easier and quicker.

If you are a director, consider taking an extra step. Send an email with links to good recordings or even make your own recordings. Choir members always appreciate the extra efforts. But make sure you also spend some time at the beginning of the rehearsal to help your singers to read music, so they won’t just rely on the recordings. I have been doing it myself ans it makes my rehearsals more efficient and enjoyable. Share the article with your choir members and encourage them to at least do the first three steps on their own. The other steps become the responsibility of the director in most parish situation and that’s why we have rehearsals.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

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