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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Responsorial Psalm: What You Never Knew!

Guest Author · September 1, 2015

347 Replace Psalter ERE’S SOMETHING I bet you never realized: the Ordinary Form rubrics allow the responsorial psalm found in the Lectionary to be replaced by any other psalm. If this coming Sunday has psalm 25, you can replace it with psalm 56. If the following Sunday has psalm 68, you can replace it with psalm 104. Here’s the proof:

“In the Dioceses of the United States of America, instead of the Psalm assigned in the Lectionary, there may be sung … an antiphon and Psalm from another collection of Psalms and antiphons—including Psalms arranged in metrical form—providing that they have been approved by the Conference of Bishops or the Diocesan Bishop.”

—§61d of the General Instruction of the Roman Missal

I WANTED TO MAKE ABSOLUTELY SURE, so I recently wrote to the USCCB. Here’s what they said (with their emphasis):

It seems pretty clear to me: “instead of the Psalm assigned…”. It appears that, yes, an entirely different Psalm can be chosen, so long as it comes from an approved source.

As someone who has labored—with very little success—to introduce the propers at my parish, this whole thing came as quite a shock. Why does almost every Catholic parish replace the propers each Sunday, but never the Responsorial Psalm? Whenever I try to promote the propers, people inevitably say, “The GIRM allows us to replace the propers; it’s called fourth option.” Yet, the GIRM also allows us to replace the Responsorial Psalm…

I was prepared to present my theory about why this is, before I submitted this guest blog. I was going to say that the liturgical books only give certain options, and not others. I was going to say something like, “Why isn’t there a book which provides the traditional Gradual psalm as an option? What about that?” However, before posting, the editor at CCW pointed out that the Jogues Missal does provide the Gradual as an option, although somehow my eyes never noticed this before:

349 Gradual


It turns out the Gradual is specifically listed by the GIRM as an option; sometimes it’s listed as 1st option, while other documents place it as 2nd, behind the Lectionary psalm. Perhaps I’m the only one who never knew about all this stuff…

If so, feel free to ignore my article!   🙂


We hope you enjoyed this guest article by J. Michael Ney.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Responsorial Psalm Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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