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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Responsorial Psalm: What You Never Knew!

Guest Author · September 1, 2015

347 Replace Psalter ERE’S SOMETHING I bet you never realized: the Ordinary Form rubrics allow the responsorial psalm found in the Lectionary to be replaced by any other psalm. If this coming Sunday has psalm 25, you can replace it with psalm 56. If the following Sunday has psalm 68, you can replace it with psalm 104. Here’s the proof:

“In the Dioceses of the United States of America, instead of the Psalm assigned in the Lectionary, there may be sung … an antiphon and Psalm from another collection of Psalms and antiphons—including Psalms arranged in metrical form—providing that they have been approved by the Conference of Bishops or the Diocesan Bishop.”

—§61d of the General Instruction of the Roman Missal

I WANTED TO MAKE ABSOLUTELY SURE, so I recently wrote to the USCCB. Here’s what they said (with their emphasis):

It seems pretty clear to me: “instead of the Psalm assigned…”. It appears that, yes, an entirely different Psalm can be chosen, so long as it comes from an approved source.

As someone who has labored—with very little success—to introduce the propers at my parish, this whole thing came as quite a shock. Why does almost every Catholic parish replace the propers each Sunday, but never the Responsorial Psalm? Whenever I try to promote the propers, people inevitably say, “The GIRM allows us to replace the propers; it’s called fourth option.” Yet, the GIRM also allows us to replace the Responsorial Psalm…

I was prepared to present my theory about why this is, before I submitted this guest blog. I was going to say that the liturgical books only give certain options, and not others. I was going to say something like, “Why isn’t there a book which provides the traditional Gradual psalm as an option? What about that?” However, before posting, the editor at CCW pointed out that the Jogues Missal does provide the Gradual as an option, although somehow my eyes never noticed this before:

349 Gradual


It turns out the Gradual is specifically listed by the GIRM as an option; sometimes it’s listed as 1st option, while other documents place it as 2nd, behind the Lectionary psalm. Perhaps I’m the only one who never knew about all this stuff…

If so, feel free to ignore my article!   🙂


We hope you enjoyed this guest article by J. Michael Ney.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Responsorial Psalm Last Updated: January 1, 2020

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President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

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  • Heretical Hymns
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