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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Wearing The Cassock” • A Bishop Weighs In

Jeff Ostrowski · September 5, 2015

332 Cassock THE FOLLOWING is from a blog article written by Bishop René H. Gracida—a veteran of the Second World War who has lived a remarkable life—posted on 5 September 2015:

T IS RARE THESE DAYS to see a priest dressed in a cassock. That is especially true here in South Texas where wearing a cassock outside of an airconditioned space during the months of May, June, July, August, September, and October would be the same as sitting in a sauna in a suit and tie. But it is sad that in those months when the climate would permit the wearing of a cassock outdoors it is now rarely done. Why?

I suppose the main reason is the general trend in our society since the mid-Twentieth Century to informality. We see it every Sunday in our Churches, where—unless the pastor has inveighed against the practice—people come to Mass dressed as informally as possible, even shorts and tank tops.

In my former Diocese of Pennsacola-Tallahassee a priest I ordained always wore a cassock everywhere, and still does I am told. Needless to say, he is considered by the other priests of the Diocese to be something of an oddball, yet he is not; he is a holy, zealous, faithful priest. Until last year we had a similar priest, ordained by me, here in the Diocese of Corpus Christi.

This article by Tom Chiarella, a layman, says something important to every priest (and bishop) about self-identity. I think that all of us clerics should rethink our choice of clothing and unless the weather and climate rules against it we should seek more opportunities to wear the cassock. Last year I gave the invocation at a state-wide celebration in Houston and, like other clergy before me I wore a suit. I have been invited to give the invocation again this year and this year I am going to wear a cassock, which come to think of it, is the proper protocol prescribed by the Church for such occasions.

You can also read my article: “Priests Embarrassed To Wear Distinctive Garb.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Rene Henry Gracida Corpus Christi Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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