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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Burke will be in Steubenville!

Andrew Leung · September 3, 2015

CTL St Peter Steubenville WILL BE heading to Steubenville this Sunday after our 11am High Mass at my parish. Good news for those who live tri-state (Ohio, West Virginia and Pennsylvania) area around Steubenville. Raymond Cardinal Burke will be visiting the Franciscan University of Steubenville on Tuesday, September 8. The main reason of his visitation is to deliver a keynote and participate in a panel discussion on “the Synod on the Family”. The last time the cardinal visited the university was in 2011, he was the celebrant for the Baccalaureate Mass where he received an honorary doctorate degree.

His Eminence will be celebrating a Solemn Pontifical High Mass at the historical St. Peter Church in downtown Steubenville. Priests from the Institute of Christ the King Sovereign Priest will be assisting. The surprising thing is that this Mass, according to the 1962 Missale Romanum, is part of the official event of the university. As an alumni, I am very proud to see my alma mater participating in the Liturgical Movement and embracing the Ancient Form of the Mass. The Mass begins at 10:30 on Tuesday morning and a large crowd is expected. The university choir, the Schola Cantorum Franciscana, will be singing under the direction of Nicholas Will, Assistant Professor of Sacred Music. The choir will be singing all the Gregorian Propers, Messe Solennelle by Vierne and other motets.

Another visiting guest is Dr. Peter Kwasniewski from Wyoming Catholic College. Dr. Kwasniewski will be one of the panelists for the evening panel discussion and he will also be giving a lecture on “The Old Mass and the New Evangelization” on Monday night. The talk will be held in the Gentile Gallery at 8:00pm.

The keynote and panel discussion will be held in the Finnegan Fieldhouse from 6:00pm to 9:00pm. Due to the large crowd, the Tuesday events, including the Mass, require confirmation through getting free tickets online. More details including the schedule, ticketing and the list of panelists can be found on the university webpage.

CTL Peter Kwasniewski Steubenville

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

Recent Posts

  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant

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