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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why St. Josemaría Escrivá Only Celebrated The Extraordinary Form

Jeff Ostrowski · August 4, 2015

431 Josemaría Escrivá Eucharist Mr. John Sonnen shared the following story on his blog. Our readers know we shun gossip, but this story is told by a living person who “names names.”

FEW YEARS AGO I had the honor to sit down with the great Rev. Dr. Giuseppe Soria, personal physician of St. Josemaría Escrivá. Don Giuseppe was his close and personal friend, and was even in the room the moment the saint breathed his last. In fact, he is the one who reached out and closed St. Josemaría’s eyes the moment after he died. Don Giuseppe was ordained in Madrid and lived in Rome in the 1950s, 1960s, and 1970s.

I asked Don Giuseppe why St. Josemaría had not celebrated the Novus Ordo Missae. His response was frank and to the point.

St. Josemaría was always first and foremost obedient, but he could not read the faded print in the new edition of the Roman Missal (see this photo). He had cataracts and found it difficult and painful to read the poor quality typeset. Also, the saint had experienced certain mystical moments associated with particular words, sentences, and structural parts of the Extraordinary Form of the Roman Rite. Such moments had been a part of his spiritual life since boyhood and through his priesthood. In having to celebrate the Mass of Paul VI, the saint would have been cut off from this.

Finally, it was the saint’s secretary, Don Alvaro del Portillo, who at the behest of the saint telephoned Msgr. Annibale Bugnini to ask permission to continue celebrating the Classical Rite. Monsignor Bugnini was quick in his response: “You don’t need permission from me. Just continue to celebrate the Mass of St. Pius V.”

I believe Pope Paul VI allowed priests with certain conditions—such as blindness—as well as retired priests to continue to offer the Traditional Latin Mass, even after the new Missal was introduced circa 1970. I’m told some priests loved the Extraordinary Form so much, they chose to retire early.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

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  • PDF Download • Ascension “Entrance Chant”

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