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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Summer Sacred Music Workshop — Report

Andrew Leung · August 18, 2015

CTL Workshop Report AST SATURDAY, I was presenting at the Summer Sacred Music Workshop in Jasper, Georgia. It was the first time I have ever present at a workshop and it was a very positive experience for me. I was blessed to be able to work with some wonderful faculty members: Fr. David Carter, Fr. Charles Byrd, Bridget Scott, Jonathan Eason, Maria Rist and Noel Jones. Many of our participants described the experience as joyful and peaceful. The turnout was really good, about 130 participants from 6 different states gathered at Our Lady of the Mountains Roman Catholic Church. I was very happy to see brothers and sisters from the Episcopal Church, Methodist Church and Presbyterian Church participating in the workshop.

Participants were introduced to the Ward’s Method during the workshop. They were split into 3 Chant Scholae and 2 Polyphony Choirs, where musical instructions were given. These groups also sang the Novus Ordo closing Mass. A keynote was delivered by Fr. David Carter, JCL, pastor and rector of the Basilica Sts. Peter and Paul in Chattanooga, Tennessee. His talk was entitled “Re-discovery of the Church’s Sacred Tradition: II Kings 22”. He has given us permission to share his talk in written format:

    * *  PDF • RE-DISCOVERY OF THE CHURCH’S SACRED TRADITION: II KINGS 22

In his talk, Fr. Carter compared his experience of discovering Sacred Music to King Josiah’s story. Through telling his story, he explained the theology of Sacred Music and the Church’s teachings on Liturgical Music. He also gave some practical suggestions on how to improve parish music programs towards the end of his talk. If you are interested in these suggestions, you can find them from page 12 onward in the PDF file. These suggestions are very helpful and I strongly recommend you to read them.

It is very touching to see so many people thirsting for true Sacred Music, the treasure of the Church. The Church is slowly rediscovering her Tradition. I pray that this workshop will bear much fruit.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

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  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)

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