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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Beware Of Microphones!

Jeff Ostrowski · July 8, 2015

531 microphone image N THE PAST, I mentioned how choir directors must have the integrity to record their choirs “live” and carefully listen to the results. On the CCW Facebook page, someone made a very intelligent comment. He said the microphone will never give an accurate representation. Nevertheless, a few weeks ago, we placed a cheap microphone at the very front of the Church, behind a pillar. I wanted to see how our choir sounded to the congregation so we could make improvements.

The recording came out decent, but not stupendous … let me explain why.

The balance and tone as presented by the cheap microphone struck me as incorrect—and I was confused. Was I not present during this Mass? Did I not hear our choir with my own ears?

Somebody might respond, “Jeff, that just proves your ears aren’t very good; the microphone doesn’t lie.” However, my mother was present during that Mass and recorded brief snippets on her iPhone. Her recordings proved that my memory was correct—for instance, about the balance of voices. 1

HERE’S THE BOTTOM LINE: the guy on Facebook was correct. Microphones sometimes provide an inaccurate record. 2

I don’t have the clips from my mother’s cell phone, but I do have several clips captured by the cheap microphone (the one hidden behind a pillar). Feel free to listen to these clips, but please remember our choir sounds much nicer in real life!

    * *  Excerpt • ALLELUIA

    * *  Excerpt • COMMUNION

    * *  Excerpt • HOSANNA

    * *  Excerpt • GLORIA

    * *  Excerpt • CREDO

The final clip (“Credo”) really told me something was wrong with the recording because—as you can hear—the organ is almost too loud for the soloist. I can assure that was NOT the case!  But I would undoubtedly still be second-guessing myself if I hadn’t listened to my mother’s cell phone recording, which was located at the center of the nave.



NOTES FROM THIS ARTICLE:

1   I am sensitive to the balance between organ and voice. During the recording session for an audio CD back in 2003, the microphone was placed too close to the organ, so I had to reassemble the entire schola—including the organist—to redo the whole session. During my college years, I attended a local parish and the organist played so loudly throughout Mass my head hurt for a week.

2   Please note: I’m not here concerned with poor quality recordings per se. After all, I’m someone who grew up listening to scratchy, awful, distorted records of the Golden Age Pianists, and no one has a greater love for such things or spent more time enjoying them than I. One eventually learns to focus on the music beneath all the surface noise.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

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