Views from the Choir Loft

Why it’s great to be Catholic

Veronica Brandt · July 25, 2015

OMETIMES IT IS EASY TO GET bogged down in the frustrations of fostering sacred music in a world which seems at odds to all we hope to achieve. A book like this is a tonic to help pick you up and show you the bigger picture.

I saw this book in a Catholic bookshop. First the title jumped out at me, then the author – Robert Haddad is a great teacher who left a legal career to become a high school teacher. He also ran apologetics courses and developed a great reference book called Defend the Faith which is extremely handy when proselytizers come knocking on your door.

Why 1001 reasons? Read this from the back cover:

Years ago I saw a news report about the growth of Pentecostalism in Latin America. One fiery pastor had a pamphlet at the back of his church entitled, “Twenty-five reasons why you are no longer Catholic.” I became upset when I saw this and wanted to produce my own response. Naturally, I wanted this response to be both comprehensive and overwhelming—hence the thought of collecting and publishing 1001 reasons why it’s great to be Catholic! More than most, non-Catholics should find this book of great interest.

References to the musical treasures of the Catholic Church are scattered here and there. The section on Beauty is mostly full of glorious cathedrals, but also mentions Gregorian chant. The book itself is just text, no pictures, but plenty of interesting leads for next time you are looking for something to search for on the internet.

The section on Prayer pays homage to some outstanding hymns like the Te Deum, Stabat Mater and the Veni Creator. The Akathist Hymn is a Byzantine hymn I hadn’t heard of before.

The thing that stands out is the enormous breadth of the Church Universal. Through all times, all places, all languages this Mystical Body of Christ is alive and drawing men to God. What other religious tradition can even come close?

The book is available from Dynamic Catholic who will send you a copy for the price of the postage within the United States. For Australians, the Mustard Seed Bookshop had copies in store.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

“Music List” • 19th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.

—Jeff Ostrowski

This Sunday’s Communion Antiphon

This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.

—Jeff Ostrowski

Using “Ye” Vs. “You” Correctly

Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed