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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Five ways to print the Propers

Veronica Brandt · July 11, 2015

Albion Press 1830s HE GREGORIAN CHANT PROPERS of the Roman Rite are treasures of inestimable value and so readily available. That is not to say they are easy, but the main difficulties can be 1, knowing which pieces to use when and 2, reading and interpreting the music.

In the first difficulty the easiest answer is to ask the priest who will be celebrating Mass. The second is dealt with in more detail at How to Read and Sing Gregorian Chant – eleven lessons to get you started.

Ideally choir members would do well to have their own copy of the Liber Usualis or the Liber Brevior, and know how to use them. Failing that, the person encouraging them to learn the propers can smooth the way for singers by printing copies of the propers. These can be annotated to your heart’s content.

Five different ways to print the propers:

FIRSTLY you can download and print the propers from Rene Goupil Propers here on Corpus Christi Watershed. This is mainly for Sundays. Just scroll down the desired day and download the scores as needed. This also has recordings of all the music – an amazing resource!

SECONDLY there is another similar collection at the Institute of Christ the King. As above, this one is mainly for Sundays. The main difference is that they lack translations and the music tends to be a little larger.

THIRDLY you could download and print from scans of the Liber Usualis. This may require a little more work, but has all the music you need for the majority of Missa Cantatas.

FOURTHLY you could avail yourself of the Propers Tool. The drop down menu has a list of Sundays to choose from, but also a Custom option at the bottom of the list which allows you to choose the exact piece you require for any day of the year. The default setting is to print everything on one page. This also has the added facility to reduce tunes down to psalm tones for any challenging antiphons.

LASTLY, there is GregoBase. This is a collection of all the chant from the Graduale Romanum and Liber Usualis in a database that permits volunteers to correct any discrepancies in transcription. The most straightforward way to find what you need is “by incipit” or the first few words of each piece you need. Each piece is available in a few different formats. The png format is handy for inserting into word processor files to make your own booklets.

There you have five ways to print the Latin Gregorian Chant propers for the Extraordinary Form of the Mass. I hope it makes the task of bringing the Propers to life a little less daunting.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The banality and vulgarity of the [ICEL] translations which have ousted the sonorous Latin and little Greek are of a supermarket quality which is quite unacceptable.”

— Sir Alec Guinness (1985)

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