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Views from the Choir Loft

Musical Resources • 7th Sunday after Pentecost (Extraordinary Form)

Jeff Ostrowski · July 9, 2015


RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


INTROIT   •   Sung by the men only.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON   •   Palestrina Parody Mass

To practice the new Kyrie by Richard Rice, you must locate #4781.

Don’t forget our Palestrina Kyrie that we sing sometimes. The 1st section (#5054) and the 2nd section (#5053).


GLORIA IN EXCELSIS

The new Gloria we hope to sing this week is #4748.

The one by Zachariis (†1594) which we’ve been doing for months is #5051.


GRADUAL & ALLELUIA

To practice, you must locate #5050.

You don’t need to practice the chant verses which change each week.


CREDO IV   •   Alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY ORGAN MUSIC

Organist.


SANCTUS & HOSANNA   •   Palestrina (“Vexilla”)

To practice the polyphic “Hosanna,” you must locate #5048. You don’t need to practice the Chant Part.

Our members need to memorize (if possible) the solfège from “4912” which we use to begin rehearsal.


AGNUS DEI   •   Philippe Verdelot (d. 1531)

To practice, you must locate #4801.


COMMUNION ANTIPHON

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION POLYPHONY • Lhoumeau “Ave Maris Stella”

To practice, you must locate #4669.


RECESSIONAL HYMN   •   #916 Prayer To The Mother Of Christ

From the Campion Hymnal.   Organist.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
    —Jeff Ostrowski
    Choral Vowels? Yes? No?
    Here's a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you like, you can freely download that vocal exercise.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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  • PDF Download • Belgian Book of Gregorian Accompaniments (Official Edition)
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