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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2015

Richard J. Clark · July 31, 2015

Personal Issues Manifested in the Mass

Personal tensions can rise to the highest boiling point during Mass and no other place.
Why is this? As it turns out, there’s a pretty interesting reason.

Dr. Lucas Tappan · July 30, 2015

A Few More Thoughts on the Chorister Audition

At the end of the audition, most of the students experience a great sense of accomplishment and really consider it an honor to be accepted into the choir!

Jeff Ostrowski · July 30, 2015

Archbishop Fulton J. Sheen On Gregorian Chant

“I did my best to give utterance to all those black notes in the missal.” —Fulton J. Sheen

Andrew Leung · July 29, 2015

The Anglican can dress anything up?

Recently, I came across a video of a Anglican boys’ choir singing Dan Schutte’s “Here I am Lord”…

Jeff Ostrowski · July 29, 2015

Musical Resources • 10th Sunday after Pentecost (Extraordinary Form)

The recessional is bright, happy, and beautiful.

Aurelio Porfiri · July 29, 2015

“When You See Rome, You Will Lose Your Faith.”

Only the blind can avoid facing this reality: the biggest liturgical crisis is in Rome.

Jeff Ostrowski · July 28, 2015

A Most Devastating Change By Pope Paul VI

“We strongly resent the implication that we and our children are not sufficiently intelligent to understand the simple Latin of the Mass…” —Manifesto of the Catholic Laity (1943)

Fr. David Friel · July 27, 2015

The Church of Our Savior

And the Case of the Vanishing Icons

Jeff Ostrowski · July 27, 2015

Why It’s Pointless To Argue Over Our Roman Missal Translation

“Women forced to sell their bodies in desperation and fear” —From a 2013 GIA hymnal

Fr. David Friel · July 26, 2015

Vesting Prayers • Part 4 of 9

The Alb

Veronica Brandt · July 25, 2015

Why it’s great to be Catholic

The thing that stands out is the enormous breadth of the Church Universal. Through all times, all places, all languages this Mystical Body of Christ is alive and drawing men to God. What other religious tradition can even come close?

Jeff Ostrowski · July 24, 2015

Pope Pius XI and “Concelebration”

Can anyone shed light on this?

Andrew Leung · July 23, 2015

Review • Bread from Heaven

A collection of English Eucharistic motets published by Heath Morber and Ben Yanke

Jeff Ostrowski · July 23, 2015

Polyphony (SATB) By Verdelot • With Optional Hymn “Christe Supreme”

Amazing! Verdelot’s cadence here sounds quite modern!

Jeff Ostrowski · July 22, 2015

The “Little Rock Nine” & Sacred Music

How could closing down all the schools be a good plan?

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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