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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2015

Richard J. Clark · July 31, 2015

Personal Issues Manifested in the Mass

Personal tensions can rise to the highest boiling point during Mass and no other place.
Why is this? As it turns out, there’s a pretty interesting reason.

Dr. Lucas Tappan · July 30, 2015

A Few More Thoughts on the Chorister Audition

At the end of the audition, most of the students experience a great sense of accomplishment and really consider it an honor to be accepted into the choir!

Jeff Ostrowski · July 30, 2015

Archbishop Fulton J. Sheen On Gregorian Chant

“I did my best to give utterance to all those black notes in the missal.” —Fulton J. Sheen

Andrew Leung · July 29, 2015

The Anglican can dress anything up?

Recently, I came across a video of a Anglican boys’ choir singing Dan Schutte’s “Here I am Lord”…

Jeff Ostrowski · July 29, 2015

Musical Resources • 10th Sunday after Pentecost (Extraordinary Form)

The recessional is bright, happy, and beautiful.

Aurelio Porfiri · July 29, 2015

“When You See Rome, You Will Lose Your Faith.”

Only the blind can avoid facing this reality: the biggest liturgical crisis is in Rome.

Jeff Ostrowski · July 28, 2015

A Most Devastating Change By Pope Paul VI

“We strongly resent the implication that we and our children are not sufficiently intelligent to understand the simple Latin of the Mass…” —Manifesto of the Catholic Laity (1943)

Fr. David Friel · July 27, 2015

The Church of Our Savior

And the Case of the Vanishing Icons

Jeff Ostrowski · July 27, 2015

Why It’s Pointless To Argue Over Our Roman Missal Translation

“Women forced to sell their bodies in desperation and fear” —From a 2013 GIA hymnal

Fr. David Friel · July 26, 2015

Vesting Prayers • Part 4 of 9

The Alb

Veronica Brandt · July 25, 2015

Why it’s great to be Catholic

The thing that stands out is the enormous breadth of the Church Universal. Through all times, all places, all languages this Mystical Body of Christ is alive and drawing men to God. What other religious tradition can even come close?

Jeff Ostrowski · July 24, 2015

Pope Pius XI and “Concelebration”

Can anyone shed light on this?

Andrew Leung · July 23, 2015

Review • Bread from Heaven

A collection of English Eucharistic motets published by Heath Morber and Ben Yanke

Jeff Ostrowski · July 23, 2015

Polyphony (SATB) By Verdelot • With Optional Hymn “Christe Supreme”

Amazing! Verdelot’s cadence here sounds quite modern!

Jeff Ostrowski · July 22, 2015

The “Little Rock Nine” & Sacred Music

How could closing down all the schools be a good plan?

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

Recent Posts

  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”

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