Views from the Choir Loft

Why it’s great to be Catholic

Veronica Brandt · July 25, 2015

OMETIMES IT IS EASY TO GET bogged down in the frustrations of fostering sacred music in a world which seems at odds to all we hope to achieve. A book like this is a tonic to help pick you up and show you the bigger picture.

I saw this book in a Catholic bookshop. First the title jumped out at me, then the author – Robert Haddad is a great teacher who left a legal career to become a high school teacher. He also ran apologetics courses and developed a great reference book called Defend the Faith which is extremely handy when proselytizers come knocking on your door.

Why 1001 reasons? Read this from the back cover:

Years ago I saw a news report about the growth of Pentecostalism in Latin America. One fiery pastor had a pamphlet at the back of his church entitled, “Twenty-five reasons why you are no longer Catholic.” I became upset when I saw this and wanted to produce my own response. Naturally, I wanted this response to be both comprehensive and overwhelming—hence the thought of collecting and publishing 1001 reasons why it’s great to be Catholic! More than most, non-Catholics should find this book of great interest.

References to the musical treasures of the Catholic Church are scattered here and there. The section on Beauty is mostly full of glorious cathedrals, but also mentions Gregorian chant. The book itself is just text, no pictures, but plenty of interesting leads for next time you are looking for something to search for on the internet.

The section on Prayer pays homage to some outstanding hymns like the Te Deum, Stabat Mater and the Veni Creator. The Akathist Hymn is a Byzantine hymn I hadn’t heard of before.

The thing that stands out is the enormous breadth of the Church Universal. Through all times, all places, all languages this Mystical Body of Christ is alive and drawing men to God. What other religious tradition can even come close?

The book is available from Dynamic Catholic who will send you a copy for the price of the postage within the United States. For Australians, the Mustard Seed Bookshop had copies in store.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed