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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Master of Ceremonies on receiving Communion

Andrew Leung · June 4, 2015

CTL Guido Marini WO WEEKS AGO, I made a post about the best way to receive communion. I didn’t really touch on the theological values of the posture and I would like do a little follow-up today, on the Solemnity of the Body and Blood of Christ (EF).

I have been reading a book called “Liturgical Reflections of a Papal Master of Ceremonies” by Msgr. Guido Marini recently. In the book, Msgr. Marini gave his reflection on Sacred Silence, Liturgical Music, Holy Communion, the Pope’s Vestments and many other topics. He wrote briefly, in the chapter on Holy Communion, about the history of how the Church started the practice of receiving communion on the tongue while kneeling. The motivation for this practice is twofold:

(1) To avoid, as much as possible, the dropping of the Eucharistic particles;|
(2) And to increase among the faithful, devotion to the Real Presence of Christ in the Sacrament if the Eucharist.

St. Thomas Aquinas also affirms, in his book Summa Theologiae, that touching the Body of Christ is proper only to the ordained priest. It is for this reason that the priest’s hands are consecrated. And therefore, out of reverence toward the Blessed Sacrament, anyone else should not touch the Body of Our Lord.

He continues on talking about the posture for the sacred moment of Holy Communion, he wrote, “Kneeling indicates and promotes the adoration necessary before receiving the Eucharistic Christ.” We should approach the Lord with the greatest respect and adoration during Holy Communion.

Starting with the Solemnity of Corpus Christi in the year 2008, Pope Benedict XVI began to distribute to the faithful the Body of the Lord by placing it directly on the tongue as they remain kneeling. If you are planning on attending a Novus Ordo Mass this Sunday, the Solemnity of Corpus Christi, consider taking up this practice which is the tradition for many centuries and has been passed down to us. The Church made clear in 2012 that this option is fully legitimate. And just as Pope Francis’s expectation for Cardinal Sarah (the Prefect of the Congregation for Divine Worship), let us continue the liturgical vision of Pope Emeritus Benedict XVI!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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