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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Master of Ceremonies on receiving Communion

Andrew Leung · June 4, 2015

CTL Guido Marini WO WEEKS AGO, I made a post about the best way to receive communion. I didn’t really touch on the theological values of the posture and I would like do a little follow-up today, on the Solemnity of the Body and Blood of Christ (EF).

I have been reading a book called “Liturgical Reflections of a Papal Master of Ceremonies” by Msgr. Guido Marini recently. In the book, Msgr. Marini gave his reflection on Sacred Silence, Liturgical Music, Holy Communion, the Pope’s Vestments and many other topics. He wrote briefly, in the chapter on Holy Communion, about the history of how the Church started the practice of receiving communion on the tongue while kneeling. The motivation for this practice is twofold:

(1) To avoid, as much as possible, the dropping of the Eucharistic particles;|
(2) And to increase among the faithful, devotion to the Real Presence of Christ in the Sacrament if the Eucharist.

St. Thomas Aquinas also affirms, in his book Summa Theologiae, that touching the Body of Christ is proper only to the ordained priest. It is for this reason that the priest’s hands are consecrated. And therefore, out of reverence toward the Blessed Sacrament, anyone else should not touch the Body of Our Lord.

He continues on talking about the posture for the sacred moment of Holy Communion, he wrote, “Kneeling indicates and promotes the adoration necessary before receiving the Eucharistic Christ.” We should approach the Lord with the greatest respect and adoration during Holy Communion.

Starting with the Solemnity of Corpus Christi in the year 2008, Pope Benedict XVI began to distribute to the faithful the Body of the Lord by placing it directly on the tongue as they remain kneeling. If you are planning on attending a Novus Ordo Mass this Sunday, the Solemnity of Corpus Christi, consider taking up this practice which is the tradition for many centuries and has been passed down to us. The Church made clear in 2012 that this option is fully legitimate. And just as Pope Francis’s expectation for Cardinal Sarah (the Prefect of the Congregation for Divine Worship), let us continue the liturgical vision of Pope Emeritus Benedict XVI!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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