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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacra Liturgia 2015 — Update III

Fr. David Friel · June 3, 2015

HE FIRST lecture given on Wednesday came from Archbishop Cordileone, who spoke on “Liturgical Leadership in a Secular Society: A Bishop’s Perspective.” As the Ordinary of San Francisco, the archbishop’s reflections have particular significance.

One of the core points made by Archbishop Cordileone concerned the manner in which one should read Sacrosanctum Concilium. This document, he said, must not be read in isolation. It should, rather, be read in the light of the liturgical movement that preceded it and the liturgical documents that followed it. In this way, we are able truly to embrace the “hermeneutic of continuity” advocated by Cardinal Ratzinger/Pope Benedict XVI.

Another very interesting facet of the archbishop’s presentation was a brief reflection on the significance of veiling in Catholic tradition. “In Christian liturgy,” he observed, “the sacred is veiled.” We see this even in the activities of ordinary human life, wherein we veil birthday gifts, our bodies, etc. In addition to this natural sort of veiling, Catholics also veil things such as chalices and tabernacles. Traditionally, women have often veiled their heads during worship, in token of their special role as bearers of life. Archbishop Cordileone noted that, in former times, a screen would sometimes be hung between two pillars of the baldacchino to form a sort of “tent” around the holy of holies. He challenged us to recover an appreciation for the mysterious significance of veiling.

I was intrigued by a historical observation that Archbishop Cordileone shared with conference attendees. He acknowledged that the modern world largely did away with faith—a reality that is fairly easy to observe. He then suggested that our post-modern world, in which we now live, is doing away with reason. This is something that I think warrants further thought and discussion.

Another interesting presentation was given by Mr. Matthew Menendez, whose talk was entitled “Youth and the Liturgy.” A young man himself, Matt is the founder of Juventutem Boston and a graduate of Harvard University.

He explained how several priests had a significant role in his faith formation as a child. In particular, he recalls having been invited to special tasks, as part of a select group of servers whom the priests trained—rather, formed—in the liturgy. Matt encouraged us priests to learn from this model and to implement it in our pastoral ministry. By offering such special liturgical formation, we engage young people deeply and challenge them to become missionaries who share their formation with others. This model, Menendez noted, is the one Jesus chose for His public ministry.

Some attention was given during this lecture to the phenomenon of “youth Masses” attracting congregations largely composed of baby boomers. Menendez recommended that we not accept unquestioningly the “youth culture imposed by the elderly.” These are wise words. They reminded me of those two remarkable chapters from Jeffrey Tucker’s book, Sing Like A Catholic, “A Letter to Praise and Worship Musicians” and “The New Youth Mass.”

This lecture also spoke to the experience of the American Catholic millennial. In particular, Matt highlighted a contradiction that many millennials feel—a detrimental contradiction that needs to be addressed. On the one hand, we millennials look around and see how much the liturgy has changed since the Second Vatican Council; on the other hand, we are told that Church teaching on many controversial social issues cannot be changed. While I am personally able to reconcile this, many of my fellow millennials have (perhaps a bit subconsciously) left the Church on account of precisely this apparent contradiction. Indeed, the unchanging nature of church doctrine might be easier to accept if our liturgy had been subjected to less radical change in the post-conciliar period.

One day of Sacra Liturgia USA 2015 remains. I look forward to sharing a few more thoughts about the experience with you tomorrow.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

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  • “Dies Irae” • A Monstrous Translation

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