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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Archives for June 2015

Andrew Leung · June 30, 2015

Sacred Music Colloquium XXV — Update II

Report on the second day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · June 29, 2015

Sacred Music Colloquium XXV — Update I

Report on the first day of the Sacred Music Colloquium in Pittsburgh

Fr. David Friel · June 28, 2015

In Memoriam: Dr. Lucy E. Carroll, DMA

Lucy was a friend and mentor to me, and I would like to share with you a little bit of her story.

Jeff Ostrowski · June 28, 2015

Loading Choir Binders In Los Angeles

I average one binder per second.

Veronica Brandt · June 27, 2015

Rebuild my Church

The Maternal Heart of Mary Church is a collegiate style church in Sydney, Australia and home to the only FSSP parish in the country.

Richard J. Clark · June 26, 2015

Why It is Truly Right and Just to Sing the Preface

Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.

Jeff Ostrowski · June 26, 2015

Musical Resources • 5th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Dr. Lucas Tappan · June 25, 2015

Surprised By Beauty

It had been over a decade since I had set foot in St. John Cantius—enough time to forget that one never can tell what beautiful surprise awaits unsuspecting visitors.

Andrew Leung · June 25, 2015

Sacred Music Colloquium XXV — Pittsburgh

Stay tuned for daily reports on the CMAA Sacred Music Colloquium next week

Jeff Ostrowski · June 24, 2015

Clearest Explanation Ever! —Bishop Gracida On Divorce & Remarriage For Catholics

“It is better to speak of a Declaration of Nullity rather than an Annulment…” —Most Rev. Gracida (1994)

Jeff Ostrowski · June 24, 2015

PDF Download • “Gloria In Excelsis” With 3-Voice Polyphony By Cristóbal De Morales

Could this have something to do with how each line comes through “cleanly” in 3-part music?

Jeff Ostrowski · June 22, 2015

Richard Rice • SATB Kyrie from Mass VIII

A luxuriant choral setting of the Kyrie from “Mass of the Angels”

Jeff Ostrowski · June 22, 2015

EWTN Classic • “Theology of Worship” with Fr. Robert Skeris (1998)

Mother Angelica sat down for a wonderful interview with a famous Theologian.

Fr. David Friel · June 21, 2015

Is the 1998 ICEL Missal Translation Worth Another Look?

When reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation.

Jeff Ostrowski · June 21, 2015

Musical Resources • 4th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

Recent Posts

  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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