Sacred Music Colloquium XXV — Update II
Report on the second day of the Sacred Music Colloquium in Pittsburgh
“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)
Report on the second day of the Sacred Music Colloquium in Pittsburgh
Report on the first day of the Sacred Music Colloquium in Pittsburgh
Lucy was a friend and mentor to me, and I would like to share with you a little bit of her story.
The Maternal Heart of Mary Church is a collegiate style church in Sydney, Australia and home to the only FSSP parish in the country.
Like the Creed, the Preface is a unique place in the Mass where dogma of the Church is expressed. Furthermore, it expresses thanksgiving for the work of salvation.
The organist will play softly at the Offertory.
It had been over a decade since I had set foot in St. John Cantius—enough time to forget that one never can tell what beautiful surprise awaits unsuspecting visitors.
Stay tuned for daily reports on the CMAA Sacred Music Colloquium next week
“It is better to speak of a Declaration of Nullity rather than an Annulment…” —Most Rev. Gracida (1994)
Could this have something to do with how each line comes through “cleanly” in 3-part music?
A luxuriant choral setting of the Kyrie from “Mass of the Angels”
Mother Angelica sat down for a wonderful interview with a famous Theologian.
When reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation.
The organist will play softly at the Offertory.
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Weddings, with all of their challenges offer an important chance to evangelize. God calls us to be fishers of women and men. That’s the most important catch of all.
Who wouldn’t welcome a brief-but-beautiful piece like this?
I realize what I propose seems like moving forward at a snail’s pace, but considering how long the average parishioner has been in the liturgical and musical desert, anything more would cause the musical equivalent of refeeding syndrome.
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