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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is There a Best Way to Receive Communion?

Andrew Leung · May 21, 2015

HIS IS VERY SAD. Recently I saw this video on YouTube taken during the papal visit to the Philippines in January. What a tragic scene! From the video, you can see the body of our Lord being passed down to the congregation.


HY? WHY DID THIS HAPPEN? Maybe they didn’t have good formation; or perhaps they take the Mass too casually because they grow up in a Catholic country. There are many possibilities and I will not get into that. This video led me to start thinking about a “hot” topic: the posture of receiving communion.

In the Liturgy, we adapt different postures and body movements. These postures and movements help us to relate to the liturgical actions and to express our believes. According to the General Instruction of the Roman Missal, we have the options of receiving communion in the hand or on the tongue, standing or kneeling. The Church didn’t say whether there is a best option, but personally, I think there is a best way to receive Jesus!

It definitely works better logistically to receive communion on the tongue. The incident in the video would not happen if people receive communion on the tongue. This can also avoid many other “accidents”. One can use his common sense to figure out whether he should receive the body of Christ standing or kneeling. There are two questions you can ask yourself: “Who is it I am receiving?” and “Does my physical condition allow me to kneel?” If we realize that Jesus Christ our God is truly present in the Eucharist and we are going to receive him, we will kneel before him! Our postures and actions should express our beliefs in the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 23rd in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 7 September 2025, which is the 23rd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. My singers really enjoy singing the resplendent COMMUNION ANTIPHON with its Fauxbourdon verses.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The revision of the liturgical books must carefully attend to the provision of rubrics also for the people’s parts.”

— The Second Vatican Council (SC §31)

Recent Posts

  • “Music List” • 23rd in Ordinary Time (Year C)
  • PDF Download • Draft Copy (Pamphlet)
  • “Entrance Chant” • 23rd (Ordinary Time)
  • Weird Liturgical Kalendar …
  • Is ‘Chant’ a Generic Word for ‘Sing’ ? • No!

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