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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

One Sure Way To Destroy Your Child’s Musical Potential

Dr. Lucas Tappan · May 19, 2015

LMT Sound of Music EVERAL WEEKS AGO, while I waited for my oldest son to finish his last Catechesis of the Good Shepherd class before the summer vacation began, I was speaking to several home schooling mothers in our parish about music. One asked when her child could enter our children’s choir, then she made the usual comment that she herself couldn’t sing. I gave my standard reply—if she couldn’t sing, she wouldn’t be able to talk.

Unfortunately, many mothers and fathers THINK they can’t sing, and therefore don’t sing to their children. Don’t make this mistake because you will almost assuredly destroy much of your child’s musical potential! Your voice doesn’t have to be great to sing to your child, you just have to be willing to sing, no matter what.

How many of us want our children to get to Heaven, but because we aren’t a saint on the caliber of St. Thomas Aquinas, St. Jean Vianney, Blessed Teresa of Calcutta, or Pope St. John Paul II don’t even try to pass on the Faith to our children? Of course not; that would be ludicrous!

You can sing to your children everywhere, believe me, ask my children. Driving in the car, doing the dishes, pulling weeds, while in church, during family prayers, cleaning the house, walking around the neighborhood. (Yesterday, as my wife and I left Target, I intoned the Deus in adjutorium from the beginning of the Divine Office without thinking. There was a decent ring in Target’s entry way.) My oldest son’s favorite song is I’ve Been Working on the Railroad (he loves trains), but we sing everything, including children’s songs, folk songs, funny songs we make up (or we change the lyrics of songs we know), hymns, chants, rounds, and even a version of the alphabet song in second species counterpoint (both major and minor) I made up trying to be funny—we just have fun while we do it. Don’t deprive your children (and yourself!) of such a gift. I will admit I was very proud last week when my wife told me that she had the boys in the car headed somewhere around town when the oldest said, “Mommy, let’s sing!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

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  • Fulton J. Sheen • “24-Hour Catechism”

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