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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Taking the easy way out, relatively speaking

Veronica Brandt · May 2, 2015

psalm tones ACK WHEN IT WAS FIRST SUGGESTED we sing the propers at Mass, we often reassured ourselves by saying that we could always psalm tone the difficult parts. This was our safety net. It was not, however, a foolproof back up plan. I have seen psalm tones done really badly. Even psalm toned propers need preparation.

One of the most useful ways to prepare is to have a printed copy written out in full. Benjamin Bloomfield’s Psalm Tone Tool is a great way to set any text to a psalm tone.

Sometimes part of the prescribed tune is actually quite easy, so you might cut and paste the easy parts together with psalm toned versions of the tricky parts. Using the same modes is a good idea.

I have kept a disorderly collection of my own rearrangements on my computer over the past few years, which may make sense only to myself. Now, seeing the beautiful work showcased here, it’s time to tidy up and make something presentable.

As a first step I have made a github repository: Easier Propers.

I know that github is not everyone’s cup of tea, but I tell you what, I’ll upload my latest efforts here.

Here is the Offertory for this Sunday (4th Sunday after Easter).

Here are the two Alleluias for next Sunday, the 5th Sunday after Easter.

Here is the Offertory for next Sunday (5th Sunday after Easter).

They are not so pretty yet, but the whole reason I am producing them is to save time! Their appearance reinforces the “near enough is good enough” mentality that brought them into being. They should be a temporary stepping stone on the way to using the Liber (Brevior or Usualis).

But since I am using command line tools to produce these files then it is entirely possible that a template could be produced to make them much easier on the eye. There are very helpful tools within github to facilitate collaboration on projects whereby this work can be shared.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Gregorian Chant, Gregorio, Latin Mass, Propers, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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