Views from the Choir Loft

Archives for April 2015

Jeff Ostrowski · April 6, 2015

Jaw-Dropping Liturgical Manuscripts (7,055 Pages)

Catholics can now *see with their own eyes* the antiquity of our liturgy.

Jeff Ostrowski · April 6, 2015

Can You Love Liturgy Too Much?

Should we assume malice on the part of those who denigrate the Traditional Mass?

Fr. David Friel · April 5, 2015

All Nine Readings

Celebrating the Easter Vigil in Its Fullness

Jeff Ostrowski · April 4, 2015

PDF Download: Organ Accompaniment to “Et Valde Mane” • 1955 Easter Vigil

A thing desired by many!

Corpus Christi Watershed · April 4, 2015

Foyle’s War • Best Clips

Foyle’s War excerpts

Jeff Ostrowski · April 4, 2015

Rough PDF • Rubrics & Music, Holy Saturday (1962)

I don’t usually release “rough cut” PDF files, but this one is so valuable…

Richard J. Clark · April 3, 2015

“O Sacred Head Surrounded” | Buxtehude

Dieterich Buxtehude was a direct influence on Johann Sebastian Bach—and for good reason.

Jeff Ostrowski · April 3, 2015

Rubrics • Good Friday (Pius XII Holy Week Revisions)

Even Solesmes makes errors from time to time.

Dr. Lucas Tappan · April 2, 2015

Sing One Note

When most singers receive a new motet, they focus on the words rather than the music.

Jeff Ostrowski · April 2, 2015

An Essential & Unique Thing For Holy Thursday

…and a look at Holy Thursday from the 1965 Missal.

Jeff Ostrowski · April 1, 2015

Musical Resources • Holy Thursday (1962)

Bells are rung and the organ played at the “Gloria”—but then stay silent until the Easter Vigil “Gloria.”

Jeff Ostrowski · April 1, 2015

Judas Iscariot & Religious Freedom

Some have criticized Christ for making Judas part of his special group of friends.

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed