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Views from the Choir Loft

Pastoral Plan (Part 1 of 2)

Andrew Leung · April 30, 2015

CTL Pastoral Plan FEW WEEKS AGO, I had a chance to meet the Archbishop of Atlanta at a deanery meeting for the Archdiocese Pastoral Plan. His Excellency Archbishop Gregory explained his pastoral plan and answered some questions from priests and staffs from different parishes. As a music director, my mind started thinking, of course, about the implementation of the Plan in the music area of the parish.

The Pastoral Plan was finally released to the public last week. There are four main points in the Plan:

(1) Knowing Our Faith;|
(2) Living Our Faith;|
(3) Spreading Our Faith;|
(4) Evolution of Our Parishes.

Here are the explanations of the four points and my thoughts about how to implement them to a parish music program.

Knowing Our Faith — This is the first and basic step to “be a Catholic”. We have to discover and understand our faith. We must know what we believe in! As I contemplated on this first point and tried to relate it to my parish music program, the word “Catechesis” came to my mind. As I mentioned before, liturgical catechesis is very important and it helps us to understand the Liturgy and to participate more deeply. Teaching people the importance of music in the Liturgy and the basic Church teachings on Sacred Music is the first step to build a successful program. It is the key to have a congregation that sings loud and proud. Liturgical catechesis should also be given as a formation to choir members. As church musicians, we need to make sure that we are prepared and understand the spirit of the Liturgy, so we can lead others to God through the Sacrifice of the Mass.

Living Our Faith — Once we know our faith, we need to live out our faith in our daily lives. We can express our faith by having a good prayer life, reaching out to the poor, living a virtuous life, fighting for the good moral values, etc. From the liturgical musician’s perspective, we live out our faith through our singing and our service to the Church. This is the more technical part of music. For example, we learnt that the Church asks that all liturgical music to be “true art”. So, we practice on our own and rehearse with other members in the choir so that we can sing or play beautifully. Latin is the Church’s language and most of us can’t speak or understand it fluently, so we learn the text with the help of translations and understand what we sing. To make quality music and to pray through it is how musicians can “live our faith”.

For our brothers and sisters in the pew, the implementation of the second point would be to learn the responses and the ordinaries of the Mass, to sing the hymns and praise God in the Liturgy, engage in prayer and meditation while the chants or polyphonies are sung. Participating in our liturgical roles actively is definitely a way to live out our faith.

Point 3 and 4 will be discussed in my next post

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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