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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Brave Schola Director Posts “Live” Recording • Part 2

Jeff Ostrowski · April 27, 2015

871 Altar Cards Traditional Latin Mass ITHOUT QUESTION, the hardest thing about singing in a choir is also the most beneficial thing. Sooner or later, you must place a recording device near the Altar and find out how your choir actually sounds.

Most people think singing is easy. On paper, it seems easy. In fact, it’s incredibly difficult. Moreover, the first time you record a “live” Mass, you will probably be very discouraged. It’s like having a bucket of cold water thrown in your face. Yet, as I said, there’s nothing more beneficial.

I’ve mentioned in the past that many on the internet love to criticize and pontificate; but these same people are too afraid to post “live” recordings of their choirs (if they even direct a choir). They realize that if they do, people will rip them to shreds. As I said, singing is very difficult. It’s much easier to hide on the internet, disparaging the efforts of others.

Below is a “live” recording of our choir singing at yesterday’s Mass. Coming from immediately after the Consecration, it begins with chant and then launches into Palestrina: 1

    * *  Mp3 Download • “Live” Recording From Last Night

It was recorded by a tiny microphone near the Altar, behind a marble pillar. As you can hear, there are some balance issues, but these can be corrected as time goes on. Our 100% volunteer choir began singing in Advent. Since that time, we’ve never had the same exact group of singers show up two Sundays in a row. This makes it more challenging to correct balance issues, but I’m sure we’ll get there eventually. Our Masses currently happen Sunday evening, and not everyone can attend; but this will change whenever we obtain a Church of our own—we are the newest parish in Los Angeles.

I need to hurry up and continue making progress, because my time as director is limited; eventually the choir will notice I don’t know what I’m doing!



NOTES FROM THIS ARTICLE:

1   The score can be downloaded as a PDF by going to this website; look for the SANCTUS.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: FSSP Los Angeles New Parish Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

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