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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brave Schola Director Posts “Live” Recording • Part 2

Jeff Ostrowski · April 27, 2015

871 Altar Cards Traditional Latin Mass ITHOUT QUESTION, the hardest thing about singing in a choir is also the most beneficial thing. Sooner or later, you must place a recording device near the Altar and find out how your choir actually sounds.

Most people think singing is easy. On paper, it seems easy. In fact, it’s incredibly difficult. Moreover, the first time you record a “live” Mass, you will probably be very discouraged. It’s like having a bucket of cold water thrown in your face. Yet, as I said, there’s nothing more beneficial.

I’ve mentioned in the past that many on the internet love to criticize and pontificate; but these same people are too afraid to post “live” recordings of their choirs (if they even direct a choir). They realize that if they do, people will rip them to shreds. As I said, singing is very difficult. It’s much easier to hide on the internet, disparaging the efforts of others.

Below is a “live” recording of our choir singing at yesterday’s Mass. Coming from immediately after the Consecration, it begins with chant and then launches into Palestrina: 1

    * *  Mp3 Download • “Live” Recording From Last Night

It was recorded by a tiny microphone near the Altar, behind a marble pillar. As you can hear, there are some balance issues, but these can be corrected as time goes on. Our 100% volunteer choir began singing in Advent. Since that time, we’ve never had the same exact group of singers show up two Sundays in a row. This makes it more challenging to correct balance issues, but I’m sure we’ll get there eventually. Our Masses currently happen Sunday evening, and not everyone can attend; but this will change whenever we obtain a Church of our own—we are the newest parish in Los Angeles.

I need to hurry up and continue making progress, because my time as director is limited; eventually the choir will notice I don’t know what I’m doing!



NOTES FROM THIS ARTICLE:

1   The score can be downloaded as a PDF by going to this website; look for the SANCTUS.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: FSSP Los Angeles New Parish Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

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