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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Don’t Tell Me What You Can Do: Show Me

Jeff Ostrowski · April 13, 2015

930 Ben Carson ANY ASPECTS of Dr. Ben Carson’s life are inspiring. His mother made him complete book reports every week when he was growing up. Carson didn’t realize that his mother (completely illiterate) couldn’t read his reports. He kept doing them because she gave him no choice in the matter. He eventually became a respected neurosurgeon—the first to successfully separate conjoined twins joined at the head.

However, I don’t believe Ben Carson will be elected president, and the reason can be tied to church music. Let me explain.

Dr. Ben Carson is attempting to go from having never held public office to the highest seat in the land. Everyone agrees that being governor of a state—for example—is easier than being president of all fifty states. If Dr. Carson, or Ross Perot, or any other civilian wants to be elected to the highest office, the least they can do is govern a state for a few years. If their ideas are sound, they will have no problems running that state; and they can then seek the presidency. Nobody would accept an argument which says, “Although incapable of properly running a single state, I would be capable of running all fifty states.”

HAVE YOU GUESSED ALREADY what this has to do with church music?

Anyone who’s been involved with church music soon realizes that everybody has advice for you. This is especially true on the internet. Some people spend all day criticizing other church musicians. They will pontificate for hours and hours. What they will never do is post actual recordings of their choirs. Believe it or not, the ones who pontificate the loudest usually have never conducted a choir before. Don’t forget that directing a choir is extremely difficult. The obstacles often seem insurmountable. It’s one of the hardest jobs in the entire world.

Anyone can talk about church music. The quickest way to silence somebody—especially on the internet—is by politely asking, “Why not post a recording of your choir from last Sunday?”

While teaching at the CMAA colloquium, I once used this tactic on someone who’d been loudly critical of efforts by the various groups. The fellow pulled me aside and said:

“Oh, I can’t show you how my choir sounds; I don’t have one. I got fired as assistant organist more than a decade ago. Moreover, I’ve never had a choir bigger than 3-4 people because my singers kept quitting, saying they can’t stand the way I direct.”

I was speechless!  I gently suggested something to the effect of, “Perhaps you should go easier on the CMAA directors, considering your own attempts.”

Years ago I knew a carpenter who constantly bragged about how great he was. Once, he was trying to get hired to work on a house, and I could hear him bragging to the foreman. The foreman immediately cut him off:

“Here’s a hammer. Don’t tell me what you can do: show me.”

Construction workers are not generally known for their eloquence, but I’ll never forget those words.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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