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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

How did your Holy Week go?

Veronica Brandt · April 11, 2015

candle OLY WEEK IS A MASSIVE EVENT. Singing for the Sacred Triduum and Easter ceremonies is an awesome privilege. The more you think about it, the more enormous it seems. And after it passes there is an enormous relief. Coming out the other side can be very sweet indeed, even when things didn’t always go quite as planned.

In the spirit of a overwhelmed and collapsed inarticulate person, I’ll proceed in disconnected recounts:

Most memorable moment:

The Litany of the Saints when miss 2 demands help with her socks. The three of us leading were kneeling in the back pew, well out of view. I tried as best I could between invocations to figure out what she wanted and keep her happy. It must have impressed her because she started singing along with “ora pro nobis”.

Of course everyone complimented her on how well she behaved throughout the week.

Favourite music:

The Reproaches. We only sang from Popule meus down to the end of Sanctus Immortalis. My eldest son was choir 2. I was choir 1. Have I mentioned we could use some more choir members?

My introduction to this piece of music was by way of Victoria’s polyphonic setting, which is awesome. I was disappointed at first with the plainchant original, but it has definitely grown on me since then. The more you get into the chant the more it gets into you.

Trickiest music:

Easter Sunday Day Mass offertory and communion – but mostly because I overlooked practising sufficiently for them. Fortunately my mother was there with more experience and I could lean on her. The rest of the choir had been focused on learning the Ordinary parts of the Mass. After that we had only got as far as the Introit and Haec Dies. You do what you can.

Notes for next time:

Remember that they use incense for Holy Thursday so make use of the extra verses for the Introit. Booklights for the Easter Vigil Canticles and make sure there are no page turns while singing. Also pick the recessional hymn ahead of time and tell any potential singers about it a good week in advance. Also have someone with you while you play the organ who can keep an eye on what’s happening up the front. If you’ve run out of verses and you’re still waiting for the priest to come past then it could just be some slow servers.

And get a T-shirt made with the slogan: “Silence is Always an Option”

After all that, there were many, many compliments. Lots of people enjoyed the music.

Happy Easter! Christos Anesti!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Holy Week Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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