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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Future of the Pipe Organ

Fr. David Friel · March 15, 2015

OMETHING HAS STUCK with me since I read an early post of our new contributor, Dr. Lucas Tappan. In his second post, he recalls his parish priest offering to pay for the organ lessons of any student in 4th – 8th grade who was willing to learn. That generous endeavor turned at least one young man into an organist.

A recent article in the Catholic News Herald (newspaper of the Diocese of Charlotte, NC) addresses the modern travails of the pipe organ in Catholic worship, but with a decidedly positive outlook toward the future.

The article interviews Paul Skevington, a past chairman of the NPM section for organists. Skevington observes that the main problem is not so much a shortage of organists, but rather a dearth of full-time, well-paying, church organist positions. This strikes me as sad, especially in a Church that grants principium locum (“principal place,” as translated by Dr. Mahrt) to the pipe organ. Too often, the instrument that should hold “principal place” in the sacred liturgy is allocated “no place” in parish budgets.

These ideas have been rolling around my head for the last couple of weeks. The result is the following set of three easy steps to be taken at the parish level:

1. Increase the amount of funding allocated to sacred music. Quality music programs come at a cost, but so do poor music programs. The difference is that quality music programs only cost money, whereas poor music programs cost money & parishioners.

2. Deliberately foster the talents of potential young organists. What better investment could a parish make than to offer lessons for a couple of its aspiring musicians? If you want to go whole hog, pay to send them to the CMAA Colloquium, too.

3. Help parish building committees to understand that the cost of a pipe organ & its maintenance are worth it. If a parish is building a new church or undertaking a renovation, make sure to include qualified musicians in the design phase. Instruments, choir areas, & acoustics should never be treated as mere afterthoughts.

Most of our readers do not need to be convinced of the importance of the pipe organ or the “principal place” it deserves. But perhaps we could choose one or more of these steps and become a leader at the parish level. That’s where real change happens, and that’s where the future of the pipe organ will be secured or lost.

“The manifold possibilities of the organ remind us of the immensity and the magnificence of God.” (Pope Benedict XVI)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Passing on Tradition, Pipe Organ, Sacred Music Colloquium, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“What will be the results of this innovation? The results expected, or rather desired, are that the faithful will participate in the liturgical mystery with more understanding, in a more practical, a more enjoyable and a more sanctifying way.” [Enjoyable?]

— Pope Paul VI (26 Nov 1969)

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