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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Francis & Tomfoolery From The “LA Times”

Jeff Ostrowski · March 12, 2015

173 Benedict 1962 ERE in Los Angeles, there’s been some buzz about a rather silly article in the LA Times. My first thought was: “What on earth is the LA Times doing publishing such nonsense?” For one thing, Los Angeles doesn’t have an overwhelming number of traditionalist Catholics, which is why the FSSP is in the process of founding a parish in response to the 2007 papal document, Summorum Pontificum.

In certain quarters, I’ve observed “hysteria” whenever articles like this appear. Two basic causes are at the root. First, there’s an unfortunate tendency to mimic the mainstream media’s 24/7 coverage of Obama, which we’ve already discussed. Second, there’s a lack of understanding about the nature of the papacy.

Many faithful Catholics first experienced the 1962 Missal during the pontificate of Benedict XVI, who personally celebrated it. Having experienced B16’s support, they have a hard time accepting that popes can make errors regarding liturgy. In fact, the Breviary reforms under Pope Pius X have been widely condemned by serious liturgists. Pope Pius XII allowed wild and unthinkable changes to the Traditional Latin Mass. I’ve cited the reprehensible disaster of Pope Urban VIII, and recently referenced the liturgical schizophrenia of Pope Paul VI.

When my family began attending the Traditional Latin Mass during the 1990s, I served Mass at least once each week. We also celebrated with solemnity the special feasts—Corpus Christi, Holy Week, and so on. At this time, the Holy Father gave almost no support to our movement, yet I can’t remember being bothered by this. We were so focused on the miracle of the Holy Mass, we didn’t have time to question whether John Paul II said Mass ad orientem that week or made public comments in support of our tiny movement.

The Uniate Eastern Catholics have probably experienced something similar for the last 1,000+ years. They don’t wake up every morning and wonder whether the Pope said anything in favor of their particular liturgy. Most are totally focused on Christ; too busy for sensationalist nonsense.

When asked by reporters about the Traditional Latin Mass, here’s what Pope Francis ought to respond:

“Our world is filled with enormous suffering. Our Church is in crisis, with an unbelievable number of Catholics who don’t attend Mass and can’t enunciate even the most basic tenets of our Faith. For you to ask me about such a thing—wherein a small percentage of Catholics lawfully attend an ancient liturgy according to the provisions of a 2007 papal decree—speaks volumes about your lack of proficiency as a reporter. Therefore, either ask me a serious question about a pressing issue or I’ll go to the next questioner.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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