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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Archives for March 2015

Jeff Ostrowski · March 31, 2015

What Happened To Our Catholic Artists?

From what I can tell, a trend toward *ugly* artwork in Church publications began in the late 1950s.

Dr. Lucas Tappan · March 30, 2015

St. Paul’s Choir School, Harvard Square, Boston

Are you a priest, are you a music director? Perhaps God is calling YOU!

Jeff Ostrowski · March 30, 2015

Is This Where It All Began?

Why do so many traditional priests have an aversion to Pope Pius XII’s revision of Holy Week?

Fr. David Friel · March 29, 2015

Essential Resources for Holy Week

Knowing What Is Needed

Jeff Ostrowski · March 29, 2015

Musical Resources • Palm Sunday (1962)

There are two ways to distribute palm branches in the Extraordinary Form.

Jeff Ostrowski · March 29, 2015

Palm Sunday Outline • Extraordinary Form

During the procession, all or some of the following selections may be sung…

Veronica Brandt · March 28, 2015

Scales and counterpoint

Two part choir exercises – one for every day of the year plus a few dozen to spare.

Richard J. Clark · March 27, 2015

Five Things Directors and Choirs Must Remember This Week

You may forever change the lives of someone you do not know in ways you will never know.

Jeff Ostrowski · March 26, 2015

“O Sacred Head Surrounded”

An easier organ accompaniment, provided by Dr. Eugène Lapierre, teacher of Roger Wagner.

Jeff Ostrowski · March 26, 2015

Diversity Of Thought

When it comes to reforming the liturgy, they want “all voices heard.”

Jeff Ostrowski · March 25, 2015

Video • Vocation Story Of Bishop Robert C. Morlino

“Scranton is a very Catholic town. Every guy, growing up considered the priesthood.” —Bishop Morlino

Jeff Ostrowski · March 25, 2015

Free PDF • Polyphonic Gloria With Practice Videos

Uses Gregorian chant with polyphonic _Falsibordone_ by Caesare de Zachariis (†1594).

Jeff Ostrowski · March 24, 2015

Do You Know The Hymn Of Saint Casimir?

The *original* meter & rhyme scheme were miraculously kept in English, Polish, Greek, French, Spanish, Italian, and Hungarian!

Dr. Lucas Tappan · March 23, 2015

Regensburger Domspatzen

I would still love to see a choir of this quality in every major Catholic church in America.

Fr. David Friel · March 22, 2015

Adoremus & the Way Forward

Continuing the Work of Helen Hull Hitchcock

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Corpus Christi Watershed

President’s Corner

    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

Recent Posts

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