Views from the Choir Loft

Patience, Patience, Patience

Dr. Lucas Tappan · February 5, 2015

OR SEVERAL WEEKS I stood in front of fourteen probationers during our weekly rehearsal. (Yes, that is too large a group, but more about that in another post.) This lively bunch of 8 boys and 6 girls had been working hard, but knew they were nearing break time—the rehearsal is 2 hours long with a 10 minute break in the middle—and of course a couple of boys were getting restless. (What boy wouldn’t in an after school rehearsal like this, right?)

I decided to take a moment to teach a lesson as well as impart some culture before the really important stuff—like snack time—began. I started recounting a story from Hillaire Belloc’s Cautionary Tales for Children ¹ about a boy named Jim and the importance of listening to those in authority. I barely had time to tell them about “Jim, who ran away from his nurse” when a little girl got so excited that she stammered, “and, and…and he was eaten by a lion.” Right afterward a boy mentioned another story he knew out of the same book and now all the kids were talking and laughing. It wasn’t long before I had lost all control—time for break! True, my plan didn’t work, but at least they knew about Hillaire Belloc; I guess Catholic culture isn’t completely dead!

I bring this up because before you ever begin working with children you must realize that while it is fun, it can be overwhelming at times. I have known people who began teaching music in the class room and within a couple of years decided they would rather work for a bank. So, I tell you Patience, Patience, Patience in Adversity. You will make it in the end!

Lastly, as I begin blogging here, I have decided to make two weekly posts: one around Monday that will deal with the practical aspects of children’s choirs and choir schools in general; and one around Thursday dealing with the practical aspects of sight-singing and ear training. I hope you enjoy reading them as much as I enjoy writing them.

NOTES FROM THIS ARTICLE:

1 If you have never read these stories, read them with your children TONIGHT! They make for great, very politically incorrect bed time reading

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

“Samaritánæ” (3rd Sunday of Lent)

With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF • “Cantus Mariales” (192 pages)

Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski