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Views from the Choir Loft

Motets and Midi practice tracks

Veronica Brandt · February 7, 2015

keyboard and headphones WISE SAYING MAINTAINS THAT lazy people take the most trouble. This is very true, especially when combined with another law which states that what can go wrong, will go wrong.

My plan was to make practice tracks for Palestrina’s Jesu Rex Admirabilis. It is a perfect piece for small choirs. It is written in three parts, sometimes given as SSA or SAB. There is a little bit of counting in the last part, but the voices mostly stick together.

Most editions give only one or two verses, but Bernard of Clairvaux’s hymn has many, many verses to extend the piece if desired.

So, I thought that there must be practice tracks already available on the internet. So I searched, and cringed, and searched some more.

Then I found a treasure trove of MIDI files made for choir practice. Each part is separated from the rest using the stereo effect. By adjusting the balance of your speakers you can choose how to balance the part you are learning with the parts of the rest of the choir.

The collection is called SingingPractice.co.uk, or Midi file store and it includes Jesu Rex Admirabilis in amongst the music sung in January 2010. Listening through the Soprano track helped my young soprano to hear the timing for a certain held note.

That webpage contains many, many such midi files. Looking for three part pieces I found

  • André Caplet’s O Salutaris Hostia (sheet music at IMSLPD and midi files here)
  • O Virgo Splendens from the Red Book of Montserrat (sheet music at CPDL and midi files here) This one is like a melismatic chant round in with bunches of porrectusses all over the place. The midi rendering is alright for note bashing, but you would do well to look for a good recording to get the hang of how it flows. Here is a PDF version of O Virgo Splendens in square notes or neumes. I typed it up about ten years ago for a pilgrimage.

A last note – the midi files do not contain lyrics. The webpage recommends a certain Midi Karaoke player, more for the ease of adjusting tempo and pitch. It’s still best to read the lyrics from the sheet music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sheet Music Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

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