Views from the Choir Loft

Lord of the World

Veronica Brandt · January 31, 2015

Fr. Robert Hugh Benson, 1907 OPE FRANCIS RECOMMENDS THE novel, Lord of the World by Mgr. Robert Hugh Benson. This has been mentioned a few times in the news, but I only stumbled across it today.

I found this particularly reassuring as I have loved many of Mgr. Benson’s novels, starting with Come Rack, Come Rope, borrowed from the church library where I went to primary school. His novels probably sound a little melodramatic to modern ears, but once you acclimatize there are many wonderful stories to enjoy as he did write quite a few novels and short stories. Many are available for free at Project Gutenberg.

Lord of the World shows something of a pessimistic view of the future, extrapolating from trains of thought current around 1900. The similarities to propaganda and events in the world wars is sobering. Monsignor Benson died in 1914, so never saw these ideas play out. It is rather spooky to see the evils foreseen way back over a hundred years ago. There is much, much food for thought in there.

I loved the book so much that it was one of the first that I formatted to make a paperback which is still available at Lulu. Today I spent way too long making an ebook version to go with the paperback.

The main thing which stayed with me from this book was the ending. Now, I don’t want to give too much away, but just let me say that some familiarity with Pange Lingua comes in handy. I remember having to look up quite a few things when I read the book for the first time. When I put together my edition of the book I added in footnotes to save readers some trouble. The author could take for granted that the reader would understand a reference to Adeste Fideles or the odd fragment from the better known psalms – all in Latin. That was the common canon which brought a wealth of associations from just a few words. I wish we could still rely on that today.

I hope you find some treasures in Mgr Benson’s books. His background as a high profile convert to the Catholic faith is worth a read too. It is rather awesome to be part of this Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Dr. Mahrt explains the ‘Spoken’ Propers

In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).

—Jeff Ostrowski

PDF • “Music List” (1st Sunday of Advent)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Music List” • Christ the King Sunday

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Translations Approved for Liturgical Use”

According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.

—Corpus Christi Watershed

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD