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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What They Didn’t Tell You About Psalm Tone VIII

Jeff Ostrowski · December 11, 2014

578 Tone 8 Psalm Tone Mode Eight OMEONE who explains to a young driver the meaning of the green and red traffic lights but says nothing about the yellow light is guilty of a serious omission. The same is true when it comes to explaining the Gregorian psalm tones. Many manuals, even the front of the Liber Usualis, leave out critical information.

Eventually, I will explain all eight psalm tones, but today I treat Mode 8 “simple” psalm tone.

Those alive during the 1990s remember The quick brown fox jumps over the lazy dog. Do you know why that sentence was used to display fonts? It’s because every letter of the alphabet is used. Similarly, these Latin sentences use every possibility:

PSALM 138 • Et vide, si via iniquitátis in me est: * et deduc me in via aetérna.

PSALM 115 • Crédidi, propter quod locútus sum: * ego autem humiliátus sum nimis.

PSALM 129 • Quia apud te propitiátio est: * et propter legem tuam sustínui te Dómine.

PSALM 110 • Memóriam fecit mirabílium suórum, † miséricors et miserátor Dóminus: * escam dedit timéntibus se.

The significance & importance of these will become clear below.

97% of Latin words end with a Trochee or Dactyl:

A Trochee (e.g. Déus) has the accent on the penult—that is, the second-last syllable.

A Dactyl (e.g. Dóminus) has the accent on the antepenult—that is, the third-last syllable.

When setting texts to a Mode 8 psalm tone, you can follow the Rules For Psalm Tones without any issues 97% of the time. Hundreds of fully notated psalms (Psalmi in Notis) are available at the Lalande Library.

Setting Mode 8 is easy when each line ends with a Trochee or Dactyl:

      * *  PDF Sample Page: Solesmes Psalmi in Notis (1908)

Now let’s examine the difficult cases.

Psalm 138 has a mediant that ends with three (3) monosyllables:

PSALM 138 • Et vide, si via iniquitátis in me est: * et deduc me in via aetérna.

The more common way would be:

577 Mode 8 First


However, the 1912 Vatican decree also allows:

576 Mode 8 Second

Psalm 115 has a Trochee followed by a monosyllable:

PSALM 115 • Crédidi, propter quod locútus sum: * ego autem humiliátus sum nimis.

The more common way makes this into a “false” Dactyl:

575 Mode 8 Third


But the 1912 Vatican decree also allows:

574 Mode 8 Fourth

Psalm 129 has a Dactyl followed by a monosyllable:

PSALM 129 • Quia apud te propitiátio est: * et propter legem tuam sustínui te Dómine.

This would normally be treated:

573 Tone 8 Fifth


But the 1912 decree gives permission for:

572 Mode 8 Sixth

Finally, what should be done with Psalm 110, whose ending consists of a Dactyl plus a monosyllable?

PSALM 110 • Memóriam fecit mirabílium suórum, †
miséricors et miserátor Dóminus: * escam dedit timéntibus se.

Here’s what you do:

571 Mode 8 SEVENTH


If you don’t believe me, you can see proof in Psalmi in Notis.

Speaking of endings with a Dactyl plus a monosyllable, the same is true for this example:

661 corripias me


The same is true of this example (“refíciam vos”):

179 reficiam


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Psalm Tone Mode 8 Tone Eight Simple Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“[Sacrosanctum Conclium’s implementation was] horrible, if we judge the debate on the liturgy as we have it today. Very few bishops would be proud to say they had a hand in it. Communion in the hand was never mentioned in the debate, neither was the word table (mensa) to take the place of altar—place of sacrifice… In my opinion the Debate on the Liturgy has been hijacked. The Council was…to reform, not to change completely.”

— Bishop Ignatius Doggett (who took part in Vatican II)

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