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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Most Disturbing Change To The 1962 Missal

Jeff Ostrowski · November 3, 2014

720 John XXIII Hat HE MOST MOMENTOUS change to the Traditional Latin Mass happened before Vatican II. In 1958, Pius XII gave permission for the congregation to recite along with the priest the Mass Propers—Introit, Gradual, Offertory, and Communion. If you don’t believe me, click here to see proof.

The saintly pontiff probably didn’t realize how questionable 1 this idea was, because he was quite ill—he died just 35 days later. However, the underlying idea was in line with the liturgical movement, which sought to make the Mass more communal. By giving the congregation a greater role, it was hoped that they would follow more closely the actual liturgical prayers. Remember that phrase—“the actual liturgical prayers”—because we’ll come back to it.

I am not a person who believes that the 1962 Missal cannot be improved in any way whatsoever. For instance, I don’t think the world would have ended if permission had been given for the congregation to join in singing the Gradual 2 and Offertory Propers, set to simple Gregorian melodies accompanied by the organ. (For the record, the Commission of Pius X in 1905 had discussed circumstances under which the entire Gradual could be omitted!)

After the Council, however, things got way out of hand. For example, there was an emphasis placed on congregational singing—which is totally fine—but they threw out all the Propers and replaced them with devotional songs that were non-liturgical. Currently, less than 1% of parishes sing the Propers in the Ordinary Form. Did you catch that? In the interest of helping people follow the liturgy, they got rid of the actual liturgical prayers! I’m pretty sure that’s called “throwing the baby out with the bath water.” Furthermore, it’s essential to realize the following:

Everything communicates something. Everything.

The problem is actually worse than the illicit elimination of beautiful things like Gregorian chant. These things were replaced with something else. Moreover, so much of what was abandoned was done so according to “rational” principles. However, we’ve learned that we’re not as smart as we’d thought, and our forefathers weren’t as dumb as we’d assumed. For example, many Gregorian melodies have melismas on the “wrong” syllables; but it turns out that this is a most sophisticated and elegant way to set music.

What, therefore, can be done??

Complaining hasn’t solved much. If you or someone you know is near Los Angeles, please consider helping this new Catholic Choir. Please take a moment and forward that link to your friends who love music. Let’s show the world how a wonderful choir is the secret ingredient for great congregational singing!



NOTES FROM THIS ARTICLE:

1   The entire congregation trying to get through the Propers (pronunciation in Latin) along with the priest would sound horrible, and it’s not in accordance with the structure and tradition of our Rite. From the point of view of aesthetics, such an innovation can only be described as bizarre. For the record, nobody actually took advantage of this permission.

2   It’s important to recall that “Gradual” as used by Pius XII includes all the prayers between Epistle and Gospel: Tract, Sequence, Greater Alleluia, and so forth. As Adrian Fortescue has pointed out, when someone says “Gradual” it can actually mean four entirely different things…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

No concession should ever be made for the singing of the Exsultet, in whole or in part, in the vernacular.

— ‘Fr. Augustin Bea, S.J. in the years immediately before the Second Vatican Council’

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