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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

What Will ICEL Do Next?

Fr. David Friel · November 23, 2014

HE NAME of Msgr. Andrew Wadsworth is likely familiar to anyone who reads Views from the Choir Loft. He presently serves as Executive Director of the International Commission on English in the Liturgy (ICEL) and is one of the founding members of the new Oratory in Washington, D.C. Msgr. Wadsworth is originally a priest of the Diocese of Westminster (London, UK) and is a friend to anyone working for the authentic renewal of the sacred liturgy.

In his work with ICEL, Monsignor was instrumental in the production of the Third Edition of the Roman Missal that was implemented in 2011 (and which I have commented upon HERE). This past summer, he was invited to give the Hillenbrand Distinguished Lecture at the Liturgical Institute at Saint Mary of the Lake (Mundelein), during which he gave a sort of status update on the present focus of ICEL’s effort. This lecture was published in the September issue of Adoremus Bulletin, available HERE.

The article explains that ICEL is now working on new translations for the following liturgical texts:

The Rite of Confirmation

The Order of Celebrating Marriage

The Order of the Dedication of a Church and an Altar

Exorcism and Related Supplications

The Supplement to the Liturgy of the Hours

Some of these texts received attention during this month’s meeting of the US Bishops in Washington.

Additionally, Msgr. Wadsworth gives details on the request of the USCCB for assistance in producing a revised version of the Liturgy of the Hours. Among the LOH components to be retranslated by ICEL are the following:

The complete selection of hymns as found in the Liturgia Horarum

Magnificat and Benedictus antiphons for Sundays of the 3-year cycle

Intercessions

Orations from the 4-week psalter

The Te Deum

Marian antiphons for use at Compline

If you are interested in learning more about what will be coming our way in the next few years, I encourage you to read this informative article. The author is a good priest we are so fortunate to have directing the work of ICEL.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Compline, ICEL New Translation of the Roman Missal, Reform of the Reform, Roman Missal Third Edition, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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