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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Looking East for Advent

Fr. David Friel · November 23, 2014

HICH WAY should the priest face during Holy Mass? The long tradition of the Church has been that we—priest and people together—face eastward during the celebration of the liturgy. Many people erroneously think that this practice was changed by the Second Vatican Council; in reality, not a word of Sacrosanctum Concilium addresses the issue. As such, celebration ad orientem is still perfectly legitimate and is, in fact, the presumption of the GIRM.

Bishop Conley of the Diocese of Lincoln, NE has drawn recent attention for directing that all Masses celebrated during Advent at his Cathedral of the Risen Christ be celebrated with the priest facing east. I have heard from a few other priests in the diocese who intend to follow their bishop’s example in their own parishes. I encourage you to read his brief pastoral column for yourself so that you can see the very pastoral language he uses to introduce this initiative.

This will, without a doubt, upset some people. But would those same people be equally upset to see photos of Pope Francis celebrating Mass ad orientem (see HERE and HERE)? We need to get beyond the stage where this manner of celebration is (or is at least perceived to be) the odd penchant of a few agenda-driven clergy. As anyone who is a student of the liturgy or of church history will know, there is nothing “new” about celebrating Mass facing east.

For more background information on celebrating Mass ad orientem, check out the various posts on the topic available HERE. Having celebrated Mass with both postures, I can attest that there is tremendous beauty to be discovered in the act of priest & people together turning toward the Lord. The logic, normality, & naturality of ad orientem worship makes me question if the true “agenda” lies not so much with those in favor of facing east as it does with those who insist that “the spirit of Vatican II” must not be undone.

Time has marched along since the tumultuous days of the post-conciliar period. Since that era, the Church has witnessed the rise of multiple generations who have none of the hang-ups about Latin & ad orientem & chant that so defined their parents’ or grandparents’ upbringing. Is it possible to hope that a new day might be dawning?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Bishop James Douglas Conley, Mass Facing The People Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

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