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Views from the Choir Loft

A Photograph “Progressive” Liturgists Cannot Abide

Jeff Ostrowski · November 18, 2014

674 Montini Cappa Magna Paul VI 01 ROGRESSIVE liturgists love Blessed Paul VI because he made sweeping changes to the liturgy. They have been desperately hoping Pope Francis will modify the liturgy further, but Francis hasn’t made any changes. On the right is an image of Bishop Montini wearing Cappa Magna, a garment which causes inexplicable panic in some… Perhaps an intelligent reader can confirm that Montini was a Cardinal at the time this photo was taken.

Some assert that bishops should no longer wear traditional vesture because Paul VI abolished the Papal Court (and with it certain garments). They claim that such vestments smack of secular garments—such as what an ancient prince might wear—and must be forbidden. The problem is, these same folks have no problem with bishops and priests dressing in lay clothes! 1

Many do not realize that Blessed Paul VI was a close advisor to Pius XII. Can you pick out Msgr. Giovanni Battista Montini in these images? (The final image shows him wearing Cappa Magna as bishop.)

670 Montini Pius XII 669 Montini Pius XII 667 Montini Pius XII 665 Montini Pius XII 673 Paul VI Cappa Magna

UPDATE:

FrGuy wrote: “Both photos of Montini in the Cappa Magna were taken when he was a cardinal. In the full length photo you’ve identified as him when he was a bishop that’s incorrect. You can tell he was a Cardinal because 1) he’s wearing red shoes a privilege of cardinals 2) there is a gold tassel hanging from his sash (fascia). This was also a privilege for cardinals. Bishops used to have a purple tuft on theirs. 3) there is no pom-pom on the biretta. Bishops’ birettas have pom-poms. Keep in mind that in the old days there were occasions when cardinals wore purple as well as bright scarlet (penitential days). In both photos Montini is a Cardinal.”



NOTES FROM THIS ARTICLE:

1   In other words, they will allow clerics to dress in secular garments so long as they’re not traditional.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cappa Magna Liturgical Vestment, Giovanni Battista Montini CAPPA MAGNA, Pope Paul VI Advisor Pius XII Photographs, Pope Paul VI Wearing Cappa Magna Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“After a discussion lasting several days, in which arguments for and against were discussed, the Council fathers came to the clear conclusion—wholly in agreement with the Council of Trent—that Latin must be retained as the language of cult in the Latin rite, although exceptional cases were possible and even welcome.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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