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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2014

Richard J. Clark · October 31, 2014

All Souls — gave hope to me, too.

Do not miss the opportunities of All Souls Day, especially as it falls on a Sunday.

fsspla · October 31, 2014

FSSP.la Polyphonic Choir

If you can sing in tune, I need your help! Please don’t worry if you cannot read music.

Dr. Peter Kwasniewski · October 30, 2014

Music Never Lies

Every piece of music, great or small, contains an indefinable message of the soul, penetrating, communicative, formative.

Jeff Ostrowski · October 30, 2014

Bach Mass In B Minor • Robert Shaw, 1947

Download these magnificent mp3 recordings as soon as you can!

Guest Author · October 29, 2014

True Devotion to Jesus

You will definitely want to read the quotes from Paul VI about reception of Communion in the hand.

Jeff Ostrowski · October 29, 2014

Sanctus/Benedictus: Should It Be Divided At Mass?

OCP recently sent me a free Spanish/English book attempting to revive this custom.

Jeff Ostrowski · October 28, 2014

Full Text: Cardinal Pell Sermon • 24 October 2014

“We Catholics have strange beliefs…” —George Cardinal Pell

Jeff Ostrowski · October 28, 2014

Look What God Did For You!

Dr. Mahrt has explained that polyphony’s order “shows forth the splendor of the universe.”

Jeff Ostrowski · October 27, 2014

Test Files

BENEDICTUS with Two Alto Parts Here’s the Score The File you need to RECORD from = HERE Rehearsal file for Alto 1 Rehearsal file for Alto 2

Jeff Ostrowski · October 27, 2014

The Secret Way The Latin Mass Has Won

A recent blog by Liturgical Press is titled “Growing Up Racist and Misogynist and Catholic.”

Fr. David Friel · October 26, 2014

Only the Lover Sings

The South Philly Tradition of the Wedding Serenade

Richard J. Clark · October 24, 2014

Letter on Sacred Music to Parishioners

An article that may serve to guide those of us searching for the words to speak to our parishioners, choir members, and also clergy.

Dr. Peter Kwasniewski · October 23, 2014

The Use and Abuse of the “Via Media”

Everyone likes to think themselves at the golden mean between two extremes. The problem is, this often becomes a substitute for real thinking, and prevents us from striving for the best.

Richard J. Clark · October 22, 2014

Feast of Saint John Paul II

See today’s Collect: Saint John Paul II leads us to Christ.

Jeff Ostrowski · October 21, 2014

The Passing Of Helen Hull Hitchcock

Helen was a rare person. She cared deeply about others.

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices
  • Active Participation • “Participatio Actuosa”
  • “Holy Name Hymn” (2-Voice Arrangement)
  • PDF Download • Introit (3rd Sn. Ord.)
  • “New Hope For Sacred Music!” • Richard J. Clark Interviews Dr. Myrna Keough

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