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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can Church Musicians Learn From An Online Role-Playing Game?

Jeff Ostrowski · September 15, 2014

861 Flame Wreath WOULD LOVE TO EXPLAIN to you World of Warcraft, but I haven’t the first clue how to play. Yet, tons of my friends have been obsessed with it for years. I can tell you it’s time-consuming, expensive, and impossible to “win.”

I’ll never forget my surprise shortly after moving to Texas, when I noticed polyphonic music emanating from my roommate’s section of the house. One of the WoW players had gotten sick of his comrades moving after “flame wreath” was cast (which causes the raid to blow up). This clever guy composed & recorded a 15-second song to chastise them:

      * *  Mp3 Audio: “I Will Not Move When Flame Wreath Is Cast Or The Raid Blows Up”

Each repeat, ANOTHER VOICE is added to his catchy tune. (You heard it?)

But watch out … once that tune gets in your head, it’s quite difficult to forget. 1

WHAT MAKES IT SO INTERESTING, of course, is that he “layers” each successive voice upon the previous one. I took a few measures from my St. Arrowsmith Mass to illustrate the same concept:


Perhaps I should “expose” snippets like that more often, to help people appreciate the polyphonic textures. This “richness” helps assure that Church music never gets old—new treasures always await the patient listener! To learn more about the Arrowsmith setting, please click here.

Incidentally, when I was in college, Dr. Mark Holmberg—a KU professor of Music Theory—visited our office (since we were working on a project together). My brother was playing Everquest, which is similar to WoW. At that moment, he was chasing a frog and hitting it with a sword, causing the frog to emit gold coins. Dr. Holmberg was absolutely fascinated by this, especially when the frog started swimming and my brother’s character followed him into the lake.



NOTES FROM THIS ARTICLE:

1   Perhaps someone would be willing to compose & record a similar song for the difference between “Sung” and “Spoken” Propers—after all, some good folks still don’t understand this concept.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: I Will Not Move When Flame Wreath Is Cast Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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