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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can Church Musicians Learn From An Online Role-Playing Game?

Jeff Ostrowski · September 15, 2014

861 Flame Wreath WOULD LOVE TO EXPLAIN to you World of Warcraft, but I haven’t the first clue how to play. Yet, tons of my friends have been obsessed with it for years. I can tell you it’s time-consuming, expensive, and impossible to “win.”

I’ll never forget my surprise shortly after moving to Texas, when I noticed polyphonic music emanating from my roommate’s section of the house. One of the WoW players had gotten sick of his comrades moving after “flame wreath” was cast (which causes the raid to blow up). This clever guy composed & recorded a 15-second song to chastise them:

      * *  Mp3 Audio: “I Will Not Move When Flame Wreath Is Cast Or The Raid Blows Up”

Each repeat, ANOTHER VOICE is added to his catchy tune. (You heard it?)

But watch out … once that tune gets in your head, it’s quite difficult to forget. 1

WHAT MAKES IT SO INTERESTING, of course, is that he “layers” each successive voice upon the previous one. I took a few measures from my St. Arrowsmith Mass to illustrate the same concept:


Perhaps I should “expose” snippets like that more often, to help people appreciate the polyphonic textures. This “richness” helps assure that Church music never gets old—new treasures always await the patient listener! To learn more about the Arrowsmith setting, please click here.

Incidentally, when I was in college, Dr. Mark Holmberg—a KU professor of Music Theory—visited our office (since we were working on a project together). My brother was playing Everquest, which is similar to WoW. At that moment, he was chasing a frog and hitting it with a sword, causing the frog to emit gold coins. Dr. Holmberg was absolutely fascinated by this, especially when the frog started swimming and my brother’s character followed him into the lake.



NOTES FROM THIS ARTICLE:

1   Perhaps someone would be willing to compose & record a similar song for the difference between “Sung” and “Spoken” Propers—after all, some good folks still don’t understand this concept.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: I Will Not Move When Flame Wreath Is Cast Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

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