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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Barack Obama & Catholic Sacred Music

Jeff Ostrowski · September 1, 2014

907 Nos Autem HE UNITED STATES has three coequal branches of government—Legislative, Executive, and Judicial—which prevent tyranny by means of checks and balances.

Similarly, the postconciliar liturgy has three “coequal” books: (1) Lectionary; (2) Gradual; and (3) Sacramentary. 1 Therefore, it’s necessary to know WHICH BOOK contains WHICH PART of the Mass. Suppose someone exclaimed: “I’ve looked carefully but cannot locate any Supreme Court rulings by Barack Obama.” The correct answer would be: “You won’t find any. You’ve mixed up the branches of government.” Likewise, someone might say: “Having looked carefully, I can’t find any Eucharistic Prayers in the Lectionary.” Again, the correct answer would be, “You’re looking in the wrong book.” 2

EARLIER THIS MONTH, OCP PUBLICATIONS made an announcement both thrilling and troubling. The exciting part is that OCP will publish, before the end of 2014, more than 400 musical settings for Proper antiphons. But here’s the troubling part:

The OCP editions will be available by the end of the year. The original intent of OCP was to create an English Gradual, but ultimately they chose not to include the Offertory Antiphons since they do not exist in the current Missal.   [source]

The statement by OCP is bizarre. It’s like saying: “We’d planned to include the Prefaces but didn’t, because they do not exist in the current Lectionary.”

The fact is, the Prefaces are not found in the Lectionary. Similarly, the Offertory antiphons are not found in the current Missal: they’re found in the Roman Gradual. While it’s true that some Entrance & Communion antiphons are found in the Missal, those are intended for use in Masses without music. If you don’t understand, read this article. (If you don’t have time to read it, just glance at the amusing image!) When questioned further, the same person added:

I can tell you that this project has been a learning process for all involved. […] The concept and understanding of the Gradual was new to many of the OCP editors.

I admit this subject can cause confusion. For instance, here are eleven different collections of the Propers in English, and each is slightly different:

      * *  Eleven Electrifying Collections — Mass Propers in English

Anyone trying to make sense of the Ordinary Form Propers should obtain the Jogues Missal, which presents each Proper in a beautiful & clear way. Moreover, the formatting of every single page is absolutely unique:

905 Jogues IMAGE



NOTES FROM THIS ARTICLE:

1   The Sacramentary is often called a “Missal,” but that’s not an accurate term.

2   I wish somebody had explained this to me in 2005, when I began working for the Ordinary Form. The Extraordinary Form has just one book—the priest’s red Altar Missal—containing all texts necessary for the celebration of Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski
    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

Recent Posts

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