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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (5 of 7)

Guest Author · August 12, 2014

EVERAL MONTHS AGO, VCL readers may recall, I posted about my work, the Simple English Choral Propers which uses the offertories from the “Simple English Propers” by Adam Bartlett (unaltered) as cantus firmi. The aim of these pieces: parish choirs of all sizes and skill levels who desire chant-based polyphony for their offertory Mass propers. They also propose a good stepping stone for the beginning choir to approach polyphony.

The strong response to my earlier post introducing these pieces shows 1) the enduring quality of the SEP themselves, 2) a desire on the part of parish choirs to choose a chant-based polyphonic setting of the offertory propers, 3) parish choirs preferring to eliminate the necessity of a second offertory song after a ‘compulsory’ propers chant exposition – as I have witnessed several parish choirs do since embracing the propers chants, and 4) the attractiveness of psalm tones proclaimed in choral harmony.

In the not too far off future, the entire cycle will be posted and a complete book will be available. At present, I am introducing a limited selection of the pieces that they may continue to get the ball rolling for parish choirs who find the SEP attractive and wish to explore more deeply the chant’s harmonic and rhythmic implications.

      * *  Assumption of the Blessed Virgin Mary — Free PDF

      * *  20th Sunday in Ordinary Time — Free PDF

      * *  23rd Sunday in Ordinary Time — Free PDF

      * *  28th Sunday in Ordinary Time — Free PDF

      * *  33rd Sunday in Ordinary Time — Free PDF

      * *  Christ the King Sunday — Free PDF

      * *  1st Sunday of Advent — Free PDF

      * *  2nd Sunday of Advent — Free PDF

      * *  3rd Sunday of Advent — Free PDF

      * *  4th Sunday of Advent — Free PDF

      * *  Christmas (vigil) — Free PDF

      * *  Christmas (midnight mass) — Free PDF

      * *  Christmas (daytime mass) — Free PDF

      * *  Epiphany — Free PDF

Assumed is a basic knowledge of the Simple English Propers as these pieces follow the same modus operandi. For those unfamiliar with SEP, they may want to look at this practical guide. A tutorial on SE Choral versions may be found here.


We hope you enjoyed this guest post by Jon Naples.



7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Simple English Mass Propers Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

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