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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (4 of 7)

Jeff Ostrowski · August 11, 2014

965 Gregorian HOULD CHURCH MUSIC be fun? I think so, but only recently realized this. A few months ago, I was alone in a room with a keyboard, waiting for my ride to arrive. The only book there was my collection of Chabanel Psalms. In case you don’t know, I usually detest my compositions after they’re published. (My friends who compose admit the same thing, so hopefully I’m not crazy.)

I began to play through some of my pieces. “Wow,” I thought, “this one isn’t horrible after all.” A while later, I was saying, “Hey, I actually kind of like this one.” As time went on, I realized that many of my psalm settings were really nice, and I was having fun singing through them. Then, I got worried.

“This is Church music. Is it supposed to be fun?”

YES, SINGING CHURCH MUSIC should be fun, although “fun” isn’t the best word. Singing the Psalms should be A DELIGHT. From what I can tell, the Church has always placed a great value on “keeping things interesting” at Mass. After all, we’re only human. So, the delightful melodies, the stained glass windows, the incense, and the entire liturgy ought to help us pray. As I mentioned in this article, variety helps prevent our minds from wandering. In the early centuries of the Church, the variety of antiphons and psalm tones helped the monks memorize the different Psalms—and there were tons of them! Nevertheless, the Church documents 1 have always stressed that everything done at the liturgy must be dignified.

You might like some of my psalm settings. You can download the entire collection here:

      * *  Saint Noël Chabanel Responsorial Psalms — 607 pages

You can also purchase bound books at that link (for a very reasonable price), but why purchase hard copies when you have the PDF file? I recommend doing so for the following reasons:

(a) it’s cheaper than printing on your own;

(b) bound books with beautiful covers are nice;

(c) you should obtain these while you can, because the future is unpredictable—even in the best of times!

NOW, LET ME TELL YOU about a truly marvelous collection you need to obtain. This collection of organ interludes for manuals only was composed by Dom Gregory Murray, and you can read the Preface by clicking here.

These pieces are TREMENDOUS.   Here’s a sample score:

      * *  100 Easy, Beautiful Organ Interludes for Manuals Only — Dom Gregory Murray

Here’s where you can purchase the complete collection:

      * *  Purchase this collection — from SheetMusicPlus

You won’t regret purchasing these!

Once upon a time, Watershed was going to look into publishing these, since many were written in the 1930s. However, this seems unlikely at this point. For one thing, I’ve been extremely ill since April, and this has made life quite difficult. That’s why I said above: “The future is unpredictable.”


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski



NOTES FROM THIS ARTICLE:

1   Several significant quotes are given during this exuberant video.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dom Gregory Murray 100 Organ Interludes, Free Responsorial Psalms Organ Vocalist Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is most important that when the faithful assist at the sacred ceremonies … they should sing alternately with the clergy or the choir, as it is prescribed.”

— ‘Pope Pius XI, Divini Cultus (20 Dec 1928) §9’

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  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”

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