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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (4 of 7)

Jeff Ostrowski · August 11, 2014

965 Gregorian HOULD CHURCH MUSIC be fun? I think so, but only recently realized this. A few months ago, I was alone in a room with a keyboard, waiting for my ride to arrive. The only book there was my collection of Chabanel Psalms. In case you don’t know, I usually detest my compositions after they’re published. (My friends who compose admit the same thing, so hopefully I’m not crazy.)

I began to play through some of my pieces. “Wow,” I thought, “this one isn’t horrible after all.” A while later, I was saying, “Hey, I actually kind of like this one.” As time went on, I realized that many of my psalm settings were really nice, and I was having fun singing through them. Then, I got worried.

“This is Church music. Is it supposed to be fun?”

YES, SINGING CHURCH MUSIC should be fun, although “fun” isn’t the best word. Singing the Psalms should be A DELIGHT. From what I can tell, the Church has always placed a great value on “keeping things interesting” at Mass. After all, we’re only human. So, the delightful melodies, the stained glass windows, the incense, and the entire liturgy ought to help us pray. As I mentioned in this article, variety helps prevent our minds from wandering. In the early centuries of the Church, the variety of antiphons and psalm tones helped the monks memorize the different Psalms—and there were tons of them! Nevertheless, the Church documents 1 have always stressed that everything done at the liturgy must be dignified.

You might like some of my psalm settings. You can download the entire collection here:

      * *  Saint Noël Chabanel Responsorial Psalms — 607 pages

You can also purchase bound books at that link (for a very reasonable price), but why purchase hard copies when you have the PDF file? I recommend doing so for the following reasons:

(a) it’s cheaper than printing on your own;

(b) bound books with beautiful covers are nice;

(c) you should obtain these while you can, because the future is unpredictable—even in the best of times!

NOW, LET ME TELL YOU about a truly marvelous collection you need to obtain. This collection of organ interludes for manuals only was composed by Dom Gregory Murray, and you can read the Preface by clicking here.

These pieces are TREMENDOUS.   Here’s a sample score:

      * *  100 Easy, Beautiful Organ Interludes for Manuals Only — Dom Gregory Murray

Here’s where you can purchase the complete collection:

      * *  Purchase this collection — from SheetMusicPlus

You won’t regret purchasing these!

Once upon a time, Watershed was going to look into publishing these, since many were written in the 1930s. However, this seems unlikely at this point. For one thing, I’ve been extremely ill since April, and this has made life quite difficult. That’s why I said above: “The future is unpredictable.”


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski



NOTES FROM THIS ARTICLE:

1   Several significant quotes are given during this exuberant video.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dom Gregory Murray 100 Organ Interludes, Free Responsorial Psalms Organ Vocalist Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.