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Views from the Choir Loft

Archives for July 2014

Dr. Peter Kwasniewski · July 17, 2014

Basic Steps To Improve Music At Your Parish — Part 2

I have been asked to recommend some ways in which any parish in the United States could improve the music used at Mass. Some parishes may already have taken the following two steps, in which case my advice will be nugatory for them, but if your parish has not yet done so, now’s the time to begin.

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Jeff Ostrowski · July 17, 2014

PDF Download: “Propers” by A. Edmonds Tozer and “Propers” by Father Theodore Labouré

“The law of the Church plainly declares that, whenever High Mass is celebrated, the Proper of the Mass must be sung or at least recited.” — Fr. Labouré (1922)

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Aurelio Porfiri · July 16, 2014

Confession 2.0

“You know I will never betray you, lol.” How many Hail Marys would this kind of sin deserve?

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Andrew R. Motyka · July 16, 2014

Basic Steps To Improve Music At Your Parish — Part 1

Simple steps to start moving from the “average” Catholic music program to a more reverent liturgy.

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Aurelio Porfiri · July 15, 2014

I Am Not A Contemporary

Job searching is tough, you say? Try searching as a Church musician who is not “contemporary.”

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Jeff Ostrowski · July 14, 2014

The Real Trouble With Missalettes

Did you catch that last quotation? “Unless proper readings are given.” What does that passage mean?

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Cynthia Ostrowski · July 14, 2014

Catholic Line Art, Black and White • Installment #30

All the vestments used in the Campion Missal were more than 200 years old.

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Jeff Ostrowski · July 14, 2014

Benjamin Franklin Composed A String Quartet

Why must the music at Wedding receptions be blasted at such a deafening volume? What can be done?

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Guest Author · July 14, 2014

Homily: 15th Monday in Ordinary Time (St. Kateri)

St. Kateri grew up in very unlikely circumstances of ever becoming a saint. But she did.

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Jeff Ostrowski · July 14, 2014

WLP Vice President Mentions The Jogues Missal (Without Realizing It)

“I am desperately trying to understand how what I experienced yesterday is not a separate rite.” — Dr. Jerry Galipeau

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Guest Author · July 13, 2014

Homily: 15th Sunday in Ordinary Time (Year A)

“There’s no doubt that Catholics are hearing a lot more of the Bible now than they used to. However, it’s difficult to say what has been the result of this.”

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Fr. David Friel · July 13, 2014

The “Children’s Liturgy of the Word”

Are We Past This Yet?

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Veronica Brandt · July 12, 2014

Dreaming in Latin

Book review: Forty Dreams Of St. John Bosco: From St. John Bosco’s Biographical Memoirs

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Richard J. Clark · July 11, 2014

Unified Repertoire | Piano, Guitar, and Organ Accompaniments for the ICEL Chants

If the ICEL chants (or another Gregorian setting) are used at all the masses in a parish, it develops unity. It also helps a parish refrain from being multiple communities under the same roof.

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Richard J. Clark · July 11, 2014

Introductory Rites: Madness or Preparation?

In some cases, the Introductory Rites are among the most misunderstood and mangled part of the mass.

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Corpus Christi Watershed

President’s Corner

    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski
    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address is listed at the bottom of each page. UPDATE: The answer has been revealed as of 8 June 2026.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

Recent Posts

  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL
  • “Should the People Sing in Parts?” • Weighing the Case for SATB Hymnals in the Pews
  • Revealed • “Answer to the Riddle”
  • Music List • “Corpus Christi” (Year A)

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