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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

WLP Vice President Mentions The Jogues Missal (Without Realizing It)

Jeff Ostrowski · July 14, 2014

285 Jerry Galipeau S FAR AS I can tell, Dr. Jerry Galipeau is a sincere and caring person. However, I’m not a huge fan of his blog. You see, each Thursday, Dr. Galipeau attempts to prove that the new Roman Missal is too difficult for average Catholics to understand. I’ve never had any trouble understanding the new prayers (which are more accurate translations), so I don’t frequent his blog.

Some time ago, a CMAA forum member posted an article by Dr. Galipeau, who described his first time attending the Traditional Latin Mass. Here are some excerpts from his article:

I LEFT THAT MASS quite perplexed. It left me empty and full of questions. […] As I looked around that church yesterday, I wondered how the pre-conciliar rite had “become dear” to these people.

I have a Catholic voice; I have a Catholic heart; I have Catholic vocal chords ready to sing God’s praise. Unfortunately, yesterday’s experience of the extraordinary form of the Mass never engaged this Catholic. […] I am desperately trying to understand how what I experienced yesterday is not a separate rite, but instead, as Pope Benedict said, another version of the same rite.

I have fantastic news for Dr. Galipeau!

His questions will be answered if he obtains a copy of the Jogues Illuminated Missal. This book has full-color reproductions of ancient Catholic manuscripts, going all the way back to the 7th century, placed alongside the Ordinary Form of the Mass. 1 In other words, it clearly and powerfully demonstrates that the core of the Novus Ordo Missal goes back more than 1,000 years. As an added bonus, the various manuscripts—Agnus Dei, Canon of the Mass, and so forth—are fascinating to behold!

I WOULD ALSO LIKE to share with Dr. Galipeau something my father taught me: Don’t judge something after having experienced it for a brief period of time only.

The most wonderful things in life take years to begin to appreciate. Would it not be a tragedy for a young person to listen to 5 seconds of Chopin and declare his music boring? For that matter, what would we think of a man who walked into the Church and departed after 15 seconds, declaring that Christianity has little to offer?

The most magnificent composers—J.S. Bach, Morales, Victoria, and the rest—require years of careful listening before they begin to reveal their depth and greatness. The same is true of the Traditional Latin Mass, except that the sacred liturgy is infinitely more important than great music.



NOTES FROM THIS ARTICLE:

1   The Jogues Missal is also the first postconciliar book to contain the complete Propers in English and Latin for the Ordinary Form of the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dr Jerry Galipeau WLP, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

For the most part, a “good pope” is defined as someone who does what the critic would do if he were pope.

— William F. Buckley Jr. (6 September 1978)

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  • New Bulletin Article • “12 October 2025”

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