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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

WLP Vice President Mentions The Jogues Missal (Without Realizing It)

Jeff Ostrowski · July 14, 2014

285 Jerry Galipeau S FAR AS I can tell, Dr. Jerry Galipeau is a sincere and caring person. However, I’m not a huge fan of his blog. You see, each Thursday, Dr. Galipeau attempts to prove that the new Roman Missal is too difficult for average Catholics to understand. I’ve never had any trouble understanding the new prayers (which are more accurate translations), so I don’t frequent his blog.

Some time ago, a CMAA forum member posted an article by Dr. Galipeau, who described his first time attending the Traditional Latin Mass. Here are some excerpts from his article:

I LEFT THAT MASS quite perplexed. It left me empty and full of questions. […] As I looked around that church yesterday, I wondered how the pre-conciliar rite had “become dear” to these people.

I have a Catholic voice; I have a Catholic heart; I have Catholic vocal chords ready to sing God’s praise. Unfortunately, yesterday’s experience of the extraordinary form of the Mass never engaged this Catholic. […] I am desperately trying to understand how what I experienced yesterday is not a separate rite, but instead, as Pope Benedict said, another version of the same rite.

I have fantastic news for Dr. Galipeau!

His questions will be answered if he obtains a copy of the Jogues Illuminated Missal. This book has full-color reproductions of ancient Catholic manuscripts, going all the way back to the 7th century, placed alongside the Ordinary Form of the Mass. 1 In other words, it clearly and powerfully demonstrates that the core of the Novus Ordo Missal goes back more than 1,000 years. As an added bonus, the various manuscripts—Agnus Dei, Canon of the Mass, and so forth—are fascinating to behold!

I WOULD ALSO LIKE to share with Dr. Galipeau something my father taught me: Don’t judge something after having experienced it for a brief period of time only.

The most wonderful things in life take years to begin to appreciate. Would it not be a tragedy for a young person to listen to 5 seconds of Chopin and declare his music boring? For that matter, what would we think of a man who walked into the Church and departed after 15 seconds, declaring that Christianity has little to offer?

The most magnificent composers—J.S. Bach, Morales, Victoria, and the rest—require years of careful listening before they begin to reveal their depth and greatness. The same is true of the Traditional Latin Mass, except that the sacred liturgy is infinitely more important than great music.



NOTES FROM THIS ARTICLE:

1   The Jogues Missal is also the first postconciliar book to contain the complete Propers in English and Latin for the Ordinary Form of the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dr Jerry Galipeau WLP, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It would be difficult to find a failure of imagination greater than that of Carl Czerny.”

— Robert Schumann

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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