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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dreaming in Latin

Veronica Brandt · July 12, 2014

Don Bosco INDING BEDTIME STORIES THAT ARE edifying for both parents and children can be a bit hit and miss (and miss and miss…) Many times there are stories I enjoyed from my youth that I am happy to read again, but that is a finite list. There are many books I would like to find time to read that would bore my kids to tears, but not this one.

My kids often wake up ready to compare dreams. There is nothing like listening to someone recounting a dream to bring home how ridiculous and pointless they can be. Most times they are much better forgotten.

Don Bosco’s dreams were startlingly thought-provoking. He was not allowed to forget them. His dreams were structured, usually with a guide to lead him and explain things (and to tell him to stop taking notes). They often provided guidance for his work, giving him material for talks and also letting him know the spiritual state of the boys in his care.

The dreams themselves, though useful, were not very comfortable. He was not overly keen to reveal his dreams, sometimes it would take a series of nightmares to convince him to retell a dream. They left him exhausted. Some left him in pain or with a foul stench that stayed for the rest of the day. Sometimes he would avoid sleep altogether.

But the aspect that might interest some readers here was that in the dreams there would be inscriptions or exclamations in Latin. Many were quotes from the Bible. Some came from the liturgy. It showed how this common sacral language could be used to emphasize timeless truths. It also heightened the sense of drama and mystery in the already very dramatic and mysterious dreams.

As the accounts of the dreams came from transcriptions from the talks of St John Bosco to his boys and his religious, he must have used the Latin in his talks, rather than just the vernacular. You could argue that Italian is so close to Latin it wouldn’t make so much difference, but these boys were from rough backgrounds.

Apart from the rhetorical effect of using Latin, maybe the main thing is that he used Latin because the messengers in his dreams used Latin.

A great book with much food for thought on the importance of prayer, the Sacraments, work and temperance, the four last things and especially on raising boys.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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