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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An Unexplained Problem

Jeff Ostrowski · May 9, 2014

524 B16 URING THE EASTER VIGIL, after the 7th Reading (when there are no Baptisms) two possible options are given. There is nothing to indicate that one option should be preferred.

Notice that one option is identical to the Responsorial Psalm sung after the 5th Reading:

R. (3) You will draw water joyfully from the springs of salvation.
Is. 12:2-3, 4, 5-6 — God indeed is my savior …

R. (12a) Create a clean heart in me, O God.
Ps. 51:12-13, 14-15, 18-19 — A clean heart create for me, O God …

Music directors often choose the 2nd option to avoid repeating the same Responsorial Psalm that has already been sung after the 5th Reading.

Can anyone explain why the same Responsorial Psalm was assigned after the 5th and 7th readings? I’m not sure there’s another Mass like this. I know that the Offertory & Communion for the 1st Sunday of Lent are practically identical, but the musical setting is completely different.

Any thoughts? Let me know in the combox.

THE ANSWER COMES FROM STEVEN VAN ROODE:

The remarkable thing here is not so much that one of the options given already appeared after the fifth reading, but that the English translation of the Lectionary gets the rubric wrong!

The Latin reads, after listing Ps 41 as the responsorial psalm for the seventh reading: “Vel, quando celebratur Baptisma, Is 12 ut supra (post lectionem n. 5), vel etiam Ps 50…”

So, according to the Latin typical edition, Ps 41 ‘Like a deer’ is always sung after the seventh reading, except when there are Baptisms, when also Is 12 ‘You will draw water’ or Ps 51 ‘Create a clean heart’ may be chosen. The English however reverses the condition to choose the options: “When Baptism is NOT celebrated”!

The reasoning of the Latin rubric makes much more sense to me: when there are Baptisms and the fifth reading wasn’t used (yes, that’s possible), Is 12 can be chosen as responsorial psalm because of its clear Baptism theme. If the fifth reading was used and so Is 12 was already sung, Ps 51 can be chosen, which is also related to Baptism.

Holy Saturday Responsorial Psalms for Ordinary Form

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Identical Responsorial Psalm Easter Vigil, Lectionary Error Typo Last Updated: March 31, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

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