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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1970s Theology Has Affected The Celebration Of Mass

Jeff Ostrowski · March 11, 2014

743 Leisure Suit Composer David Haas wrote the following in 2002:

“Acclamations … help empower and form the assembly as co-celebrants in the liturgy.”

Father Edward Foley wrote in 1998:

“The associate formerly said Mass, but now this redefined parochial vicar and member of the Parish Ministry Staff presides at the eucharist at which the assembly is the principal celebrant.”

Composer Marty Haugen wrote in 1984:

“With the advent of post-Vatican II liturgies, the assembly was given a new mandate and opportunity — to rediscover and express its integral importance as the primary minister of the Sunday eucharistic experience.”

Father Eugene Walsh, a seminary professor in Baltimore and principal author of The Place of Music in Eucharistic Celebrations, wrote in the 1970s:

“The entire parish assembly, therefore, is celebrant of the eucharist. The presider is simply the leader of the assembly. As leader, his task is to engage the assembly in the eucharistic prayer.”

Whence cometh such theological notions?

A good place to search might be this stupefying tome of PDF documents:

      * *  NPM Magazine Archive — (1970s and more)

It would take several decades to quote and explain those articles, so I won’t try. However, here’s a fairly good “sample” of what’s there:

      * *  “First, the Assembly Gathers” — Article by Fr. Eugene Walsh (1982)

Reading that article, you’ll find quotes like:

The most important thing that people can do at a parish Sunday Mass is to take the trouble to gather with each other.   [ … ]   The parish assembly is the first and primary minister of the parish Sunday Mass.   [ … ]   The full, life-giving sacramental sign of eucharist is the parish assembly.

Dull and feeble and half-hearted sacraments are not life-giving. In fact there comes a point where they begin to be death-dealing.

The first task of all specially designated ministers [i.e. priests and deacons] is to serve the assembly. Their conscious and deliberate target is to help the assembly bring itself to life …

Feel free to let me know your reactions to that article by Fr. Eugene Walsh. I found it shocking … and quickly phoned my spiritual advisor for counseling!   (Not kidding.)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr Eugene Walsh Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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