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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1970s Theology Has Affected The Celebration Of Mass

Jeff Ostrowski · March 11, 2014

743 Leisure Suit Composer David Haas wrote the following in 2002:

“Acclamations … help empower and form the assembly as co-celebrants in the liturgy.”

Father Edward Foley wrote in 1998:

“The associate formerly said Mass, but now this redefined parochial vicar and member of the Parish Ministry Staff presides at the eucharist at which the assembly is the principal celebrant.”

Composer Marty Haugen wrote in 1984:

“With the advent of post-Vatican II liturgies, the assembly was given a new mandate and opportunity — to rediscover and express its integral importance as the primary minister of the Sunday eucharistic experience.”

Father Eugene Walsh, a seminary professor in Baltimore and principal author of The Place of Music in Eucharistic Celebrations, wrote in the 1970s:

“The entire parish assembly, therefore, is celebrant of the eucharist. The presider is simply the leader of the assembly. As leader, his task is to engage the assembly in the eucharistic prayer.”

Whence cometh such theological notions?

A good place to search might be this stupefying tome of PDF documents:

      * *  NPM Magazine Archive — (1970s and more)

It would take several decades to quote and explain those articles, so I won’t try. However, here’s a fairly good “sample” of what’s there:

      * *  “First, the Assembly Gathers” — Article by Fr. Eugene Walsh (1982)

Reading that article, you’ll find quotes like:

The most important thing that people can do at a parish Sunday Mass is to take the trouble to gather with each other.   [ … ]   The parish assembly is the first and primary minister of the parish Sunday Mass.   [ … ]   The full, life-giving sacramental sign of eucharist is the parish assembly.

Dull and feeble and half-hearted sacraments are not life-giving. In fact there comes a point where they begin to be death-dealing.

The first task of all specially designated ministers [i.e. priests and deacons] is to serve the assembly. Their conscious and deliberate target is to help the assembly bring itself to life …

Feel free to let me know your reactions to that article by Fr. Eugene Walsh. I found it shocking … and quickly phoned my spiritual advisor for counseling!   (Not kidding.)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr Eugene Walsh Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

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