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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Father Bugnini has only one interest: press ahead and finish.” — Cardinal Antonelli, 1967

Jeff Ostrowski · March 10, 2014

744 Cardinal Antonelli VERYONE SHOULD OWN a copy of The Development of the Liturgical Reform: As Seen by Cardinal Ferdinando Antonelli from 1948 to 1970, by Nicola Giampietro. Cardinal Antonelli served as peritus (“expert”) during the Second Vatican Council. In 1965, he was appointed Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He is generally regarded as one of the most reliable witnesses of the Council proceedings. Cardinal Antonelli was appointed as “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962.

The following paragraphs were written by Cardinal Antonelli about Bugnini’s Consilium on 23 April 1967:

1.)  There is no denying that colossal work has been done.

2.)  There is a lack, however, of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form.

3.)  The system of discussion is bad:

a. There are 50 Fathers: sometimes they do not all come, but there are always at least 30. Few have any specific competence. In itself, it would be difficult to conduct a discussion involving so many people;

b. Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place;

c. Cardinal Lercaro is not the man to direct a discussion. Father Bugnini has only one interest: press ahead and finish.

4.)  The voting system is worse. It is ordinarily done by a show of hands, but nobody counts who has raised a hand and who has not. Nobody says “so many approved” and “so many said no.” It is disgraceful. Although the question has been asked several times, nobody has succeeded in ascertaining whether the necessary majority must be absolute or two thirds of the votes. Voting by scheda only takes place at the request of the Fathers. The scheda are subsequently examined by those from the Secretariat.

5.)  A further grave lacuna is the absence of any minutes of the meetings. There certainly has been no reference to them and they certainly have never been read.

Cardinal Antonelli’s written comments (19 April 1967)

It is clear that Paul VI closely followed the work of this Consilium. I well remember that Paul VI personally intervened at one of the meetings of this Consilium (that of April 19, 1967). The fact struck me that Paul VI, speaking of the course taken by the implementation of the liturgical reform, declared that he had been hurt by certain arbitrary liturgical experiments and pained by a certain tendency to de-sacralize the liturgy. He re-confirmed his confidence in the Consilium, however. The Pope did not seem to realize that all the difficulties had been created by the manner in which the reform was interpreted by the Consilium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Ferdinando Giuseppe Antonelli OFM Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The revision of the liturgical books must carefully attend to the provision of rubrics also for the people’s parts.”

— The Second Vatican Council (SC §31)

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