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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Father Bugnini has only one interest: press ahead and finish.” — Cardinal Antonelli, 1967

Jeff Ostrowski · March 10, 2014

744 Cardinal Antonelli VERYONE SHOULD OWN a copy of The Development of the Liturgical Reform: As Seen by Cardinal Ferdinando Antonelli from 1948 to 1970, by Nicola Giampietro. Cardinal Antonelli served as peritus (“expert”) during the Second Vatican Council. In 1965, he was appointed Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He is generally regarded as one of the most reliable witnesses of the Council proceedings. Cardinal Antonelli was appointed as “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962.

The following paragraphs were written by Cardinal Antonelli about Bugnini’s Consilium on 23 April 1967:

1.)  There is no denying that colossal work has been done.

2.)  There is a lack, however, of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form.

3.)  The system of discussion is bad:

a. There are 50 Fathers: sometimes they do not all come, but there are always at least 30. Few have any specific competence. In itself, it would be difficult to conduct a discussion involving so many people;

b. Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place;

c. Cardinal Lercaro is not the man to direct a discussion. Father Bugnini has only one interest: press ahead and finish.

4.)  The voting system is worse. It is ordinarily done by a show of hands, but nobody counts who has raised a hand and who has not. Nobody says “so many approved” and “so many said no.” It is disgraceful. Although the question has been asked several times, nobody has succeeded in ascertaining whether the necessary majority must be absolute or two thirds of the votes. Voting by scheda only takes place at the request of the Fathers. The scheda are subsequently examined by those from the Secretariat.

5.)  A further grave lacuna is the absence of any minutes of the meetings. There certainly has been no reference to them and they certainly have never been read.

Cardinal Antonelli’s written comments (19 April 1967)

It is clear that Paul VI closely followed the work of this Consilium. I well remember that Paul VI personally intervened at one of the meetings of this Consilium (that of April 19, 1967). The fact struck me that Paul VI, speaking of the course taken by the implementation of the liturgical reform, declared that he had been hurt by certain arbitrary liturgical experiments and pained by a certain tendency to de-sacralize the liturgy. He re-confirmed his confidence in the Consilium, however. The Pope did not seem to realize that all the difficulties had been created by the manner in which the reform was interpreted by the Consilium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Ferdinando Giuseppe Antonelli OFM Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The very first question to be considered, of course, was: “Just why does the Sacred Liturgy need renewal at all?” It cannot be denied that there were many present, in the beginning, who felt that the Liturgy was generally very good the way it was; further, if there were to be any improvements, they felt the Sacred Congregation of Rites was the agency properly suited to make those improvements.

— Most Rev’d Robert Emmet Tracy (d. 1980)

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