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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2014

Gwyneth Holston · March 31, 2014

What is Catholic Art?

Help me define the indefinable.

Jeff Ostrowski · March 30, 2014

Audrey Hepburn, Fulton J. Sheen, & Church Singers Who Can’t Read Music

Do you direct choir members with flaws? Do you direct choir members who can’t read music? BE COMFORTED!

Fr. David Friel · March 30, 2014

Saints Who Were Artists

A Catalog

Guest Author · March 30, 2014

Homily: 4th Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

Veronica Brandt · March 29, 2014

Learning the Latin of the Pater Noster

You need to have even just a little bit of understanding to help you love something. You can’t love what you don’t know.

Dr. Peter Kwasniewski · March 27, 2014

Why Do We Kneel in Church?

Kneeling is a sign that both signifies and helps produce in the soul the disposition of humility before the great King over all the earth.

Jeff Ostrowski · March 27, 2014

“Turn Those Altars Around!” — Cardinal Lercaro, Consilium President (1965)

Could this be the missing link explaining why “versus populum” celebrations took over?

Jeff Ostrowski · March 26, 2014

“Confusion and Annoyance” — Pope Paul VI on the New Liturgy (1965)

“Previously it was enough to be there; now we must participate. Previously one could doze or perhaps even have a chat; but no longer; now one must listen and pray.” — Pope Paul VI, 17 March 1965

Jeff Ostrowski · March 25, 2014

“The Most Beautiful Thing This Side Of Heaven”

A wonderful 18-minute sermon by Fr. Christopher Smith.

Gwyneth Holston · March 24, 2014

Jubilee Museum Sacred Art Biennial 2014

Call for entries for visual artists!

Jeff Ostrowski · March 24, 2014

What did Pope John Paul II think of the Cappa Magna?

The cappa magna has a five-meter-long train. Pius XII shortened it to 3 meters, but it’s said that John XXIII restored the ordinary length.

Guest Author · March 23, 2014

Homily: 3rd Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

Fr. David Friel · March 23, 2014

Secular Architecture

Reneging on the Promise of Public Art

Richard J. Clark · March 21, 2014

Reverent and welcoming parishes are not mutually exclusive.

Yes, the house is on fire. Yes, liturgy is important. Seriously? Yes.

Dr. Peter Kwasniewski · March 20, 2014

Catholic Identity Crisis: Who Are We? What Do We Believe? How Should We Live?

Eastern Catholics and Christians have maintained the depth, beauty, and sacredness of their liturgical heritage. How does the institutional failure of Roman Catholics to preserve their own heritage affect their ability to evangelize, or even to live a fully Catholic life?

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Never before have men had so many time-saving devices. Yet, never before have they had so little free time. When the world unnecessarily accelerates, the Church must slow down.

— Archbishop Fulton J. Sheen

Recent Posts

  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

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