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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2014

Gwyneth Holston · March 31, 2014

What is Catholic Art?

Help me define the indefinable.

Jeff Ostrowski · March 30, 2014

Audrey Hepburn, Fulton J. Sheen, & Church Singers Who Can’t Read Music

Do you direct choir members with flaws? Do you direct choir members who can’t read music? BE COMFORTED!

Fr. David Friel · March 30, 2014

Saints Who Were Artists

A Catalog

Guest Author · March 30, 2014

Homily: 4th Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

Veronica Brandt · March 29, 2014

Learning the Latin of the Pater Noster

You need to have even just a little bit of understanding to help you love something. You can’t love what you don’t know.

Dr. Peter Kwasniewski · March 27, 2014

Why Do We Kneel in Church?

Kneeling is a sign that both signifies and helps produce in the soul the disposition of humility before the great King over all the earth.

Jeff Ostrowski · March 27, 2014

“Turn Those Altars Around!” — Cardinal Lercaro, Consilium President (1965)

Could this be the missing link explaining why “versus populum” celebrations took over?

Jeff Ostrowski · March 26, 2014

“Confusion and Annoyance” — Pope Paul VI on the New Liturgy (1965)

“Previously it was enough to be there; now we must participate. Previously one could doze or perhaps even have a chat; but no longer; now one must listen and pray.” — Pope Paul VI, 17 March 1965

Jeff Ostrowski · March 25, 2014

“The Most Beautiful Thing This Side Of Heaven”

A wonderful 18-minute sermon by Fr. Christopher Smith.

Gwyneth Holston · March 24, 2014

Jubilee Museum Sacred Art Biennial 2014

Call for entries for visual artists!

Jeff Ostrowski · March 24, 2014

What did Pope John Paul II think of the Cappa Magna?

The cappa magna has a five-meter-long train. Pius XII shortened it to 3 meters, but it’s said that John XXIII restored the ordinary length.

Guest Author · March 23, 2014

Homily: 3rd Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

Fr. David Friel · March 23, 2014

Secular Architecture

Reneging on the Promise of Public Art

Richard J. Clark · March 21, 2014

Reverent and welcoming parishes are not mutually exclusive.

Yes, the house is on fire. Yes, liturgy is important. Seriously? Yes.

Dr. Peter Kwasniewski · March 20, 2014

Catholic Identity Crisis: Who Are We? What Do We Believe? How Should We Live?

Eastern Catholics and Christians have maintained the depth, beauty, and sacredness of their liturgical heritage. How does the institutional failure of Roman Catholics to preserve their own heritage affect their ability to evangelize, or even to live a fully Catholic life?

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

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