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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Can’t We Use Secular Music During Mass?

Jeff Ostrowski · February 13, 2014

OMPOSER DAN SCHUTTE, formerly a Jesuit priest, published a musical setting in 2012 of the Glory To God which has been widely criticized because it changes the words. 1

To me, however, something else is even more problematic. Please listen to these brief excerpts and see if you can guess what I’m getting at:

* *  “Glory To God” • Refrain by Dan Schutte

* *  “My Little Pony” • Mp3 Audio Excerpt

Am I crazy, or is this resemblance jarring?

ON 22 NOVEMBER 2003, Blessed John Paul II decreed that Church music must “avoid any concessions to frivolity or superficiality.” He went on to remind us of many other important things. For instance, he said neither vocal nor instrumental music can be used at Mass if it “does not possess a sense of prayer, dignity and beauty.”

A few years ago, we created this video which presented Church legislation on Sacred music and drew some conclusions. Some of my friends were angry we used the term “Disney” to describe certain liturgical music. Others thought we were kidding. However, I stand behind that term, because technical descriptions like “modal” and “rhythmically free” mean nothing to the vast majority of Catholics who lack professional training in music.

PLEASE, DON’T LEAVE ANY NASTY COMMENTS saying I am “anti-Schutte” or anything like that. I have absolutely nothing against Schutte, who is incredibly accomplished 2 and literally world-famous. He’s free to write whatever he wishes and folks are free to purchase it.

However, I do object to certain would-be “scholarly” publications treating this music in a serious fashion, using the most outlandish psychobabble. 3 Sometimes I’m tempted to scream: “How can such things be written about a tune lifted from My Little Pony?” Just a decade ago, I believed Musicology symposia had a monopoly on this kind of gibberish — I was wrong!

N.B.   The musically-observant priest who discovered this Schutte/Pony similarity is currently Liturgy Director for a major Archdiocese in the United States. It was sent to me via email “chain letter.” This was the first time I’d ever heard Schutte’s Mass setting.




NOTES FROM THIS ARTICLE:

1   Musical settings which alter the official Mass texts were supposed to have been eliminated beginning in 2011.

2   Dan Schutte (b. 1947) is best known for composing the hymn “Here I Am, Lord.” He has received three honorary doctoral degrees, numerous Grammy nominations, and many other awards. He is considered one of the most influential living composers of “contemporary” Catholic liturgical music.

3   I have some examples I’ve saved over the years, but I hesitate to post them at this moment (I will explain another day).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dan Schutte Mass of Christ the Savior, Missa My Little Pony, Oregon Catholic Press, Secular vs Sacred Music at Mass Last Updated: October 28, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

Recent Posts

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  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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