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Views from the Choir Loft

Mp3 Audio: “Why Do I Use My Paper, Ink, And Pen”

Jeff Ostrowski · February 4, 2014

827 BYRD A SPECIAL MOTET written by Renaissance composer William Byrd (†1623) honoring the Martyrdom of St. Edmund Campion is now 1 available for free and instant download:

      * *  Why do I use my paper, ink and pen (Mp3 Audio)

HY DOE I USE my paper inck and pen,
and call my wits to counsel what to say,
such memories were made for mortal men,
I speak of Saints, whose names cannot decay,
An Angels trump, were fitter for to sound,
their glorious death, if such on earth were found.

For obvious reasons, this extraordinary recording was commissioned as the soundtrack for the Promotional Video explaining the Campion Missal & Hymnal. If you appreciate this, please consider purchasing a copy of this book. Thank you!

THE AUDIO RECORDING is the work of Matthew J. Curtis, a truly gifted singer. Regarding the text itself, an Edmund Campion scholar sent the following via Email:

“The words are moving because Catholics were forced to use manuscript to disseminate works (printing presses being difficult to buy, conceal and feed; paper being bulky and expensive). This poem, written by Henry Walpole within a month of Campion’s death, was printed in the Alfield, A true reporte of the death & martyrdome of M. Campion Iesuite and preiste; the press of Richard Verstegan was seized. The manuscript version was disseminated widely, and set to music by William Byrd, probably with a few months, although the printed version of Byrd’s setting was not published till 1588, without Campion’s name being included (for obvious reasons, in Protestant England). The poem itself is remarkable, since it is in the same form as Shakespeare’s Venus and Adonis: six-line stanzas of rhyming iambic pentameters (unstress/stress). There are thirty of them, divided into clear groups of ten. In other words, it is much more than a popular ballad, and has (unlike many modern Catholic hymns) a very clear concordance between words and metre.”




NOTES FROM THIS ARTICLE:

1   As a matter of fact, it’s been available since 31 January 2013. You can see this by going to the Campion Missal Website and scrolling to the bottom of the page, where the various “external” articles are featured.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: St Edmund Campion Missal Hymnal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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