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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ministry vs. Edification

Fr. David Friel · January 5, 2014

HERE IS A COMMON turn of phrase that I have often heard from brother priests. It’s a sort of heart-warming sentiment that sounds very pious and inviting at first. I find myself, however, wholeheartedly disagreeing with it.

This is roughly how the saying goes. The priest will say, “Many times during my priesthood, I have gone to visit people in their homes and in hospitals and in hospice centers. I may have thought that I was going there to minister to them. But, during the course of the visit, I discovered that it was really they who were ministering to me.”

I am neither a curmudgeon nor a clericalist. I recognize and have experienced the very thing these priests are trying to express. More often than I could ever recount, I have been inspired by the faith of the homebound; the perseverance in hope of the sick & dying; the honesty & humility of penitents; the trusting vulnerability of the addicted; the genuine gratitude & remarkable generosity of the poor; and so many other examples of courageous Christian witness.

Yet I still take issue with this particular phrasing. There is, after all, no such thing as “lay ministry”; the laity may engage in a particular apostolate, but the word “ministry” specifically refers to the evangelical work of a deacon, priest, or bishop. “Ministry,” without a doubt, has become one of the most misused and abused words in ecclesiastical vocabulary. Liturgical musicians, for example, often refer to “music ministry,” when it would be better to refer to the apostolate (or the work) of sacred music.

There is no contesting the fact that priests need not only to be ministers, but also to be the recipients of ministry. But this ministry can only come from another sacred minister. So many things in recent times (especially in the liturgical realm) have confused and blurred and obscured the authentic, Catholic notion of ministry. One thing that strongly supports the real meaning of the term, however, is the corrected translation of Et cum spiritu tuo in the Third Edition of the Roman Missal.

The USCCB website acknowledges that the response “And with your spirit” is addressed only to an ordained minister because “spiritu refers to the gift of the spirit he received at ordination.” The same web page explains further:

The dialogue is only used between the priest and the people, or exceptionally, between the deacon and the people. The greeting is never used in the Roman Liturgy between a non-ordained person and the gathered assembly.

That ordained ministers have received a unique configuration to Christ is not a novel interpretation of sacramental theology. The reservation of this classic Roman dialogue for use between priests & people supports this understanding. Notably, a layperson leading a Communion service does not use this dialogue. Why? Because he or she does not possess the gift of the Spirit specific to sacred ministers. “There are different kinds of spiritual gifts but the same Spirit” (1 Corinthians 12:4).

Every priest will acknowledge that he is constantly inspired in many & various ways by the laity, but it would be inaccurate to describe this as ministry. Lest I be accused of lodging a complaint without proffering a solution, let me propose a better way of expressing what so many priests want to express. Would it not be better to say that priests can be “edified” by their people, rather than “ministered to” by them? “Edify one another” (1 Thessalonians 5:11; Romans 14:19).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition, The Old ICEL Translation of the Mass, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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  • Heretical Hymns
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