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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ministry vs. Edification

Fr. David Friel · January 5, 2014

HERE IS A COMMON turn of phrase that I have often heard from brother priests. It’s a sort of heart-warming sentiment that sounds very pious and inviting at first. I find myself, however, wholeheartedly disagreeing with it.

This is roughly how the saying goes. The priest will say, “Many times during my priesthood, I have gone to visit people in their homes and in hospitals and in hospice centers. I may have thought that I was going there to minister to them. But, during the course of the visit, I discovered that it was really they who were ministering to me.”

I am neither a curmudgeon nor a clericalist. I recognize and have experienced the very thing these priests are trying to express. More often than I could ever recount, I have been inspired by the faith of the homebound; the perseverance in hope of the sick & dying; the honesty & humility of penitents; the trusting vulnerability of the addicted; the genuine gratitude & remarkable generosity of the poor; and so many other examples of courageous Christian witness.

Yet I still take issue with this particular phrasing. There is, after all, no such thing as “lay ministry”; the laity may engage in a particular apostolate, but the word “ministry” specifically refers to the evangelical work of a deacon, priest, or bishop. “Ministry,” without a doubt, has become one of the most misused and abused words in ecclesiastical vocabulary. Liturgical musicians, for example, often refer to “music ministry,” when it would be better to refer to the apostolate (or the work) of sacred music.

There is no contesting the fact that priests need not only to be ministers, but also to be the recipients of ministry. But this ministry can only come from another sacred minister. So many things in recent times (especially in the liturgical realm) have confused and blurred and obscured the authentic, Catholic notion of ministry. One thing that strongly supports the real meaning of the term, however, is the corrected translation of Et cum spiritu tuo in the Third Edition of the Roman Missal.

The USCCB website acknowledges that the response “And with your spirit” is addressed only to an ordained minister because “spiritu refers to the gift of the spirit he received at ordination.” The same web page explains further:

The dialogue is only used between the priest and the people, or exceptionally, between the deacon and the people. The greeting is never used in the Roman Liturgy between a non-ordained person and the gathered assembly.

That ordained ministers have received a unique configuration to Christ is not a novel interpretation of sacramental theology. The reservation of this classic Roman dialogue for use between priests & people supports this understanding. Notably, a layperson leading a Communion service does not use this dialogue. Why? Because he or she does not possess the gift of the Spirit specific to sacred ministers. “There are different kinds of spiritual gifts but the same Spirit” (1 Corinthians 12:4).

Every priest will acknowledge that he is constantly inspired in many & various ways by the laity, but it would be inaccurate to describe this as ministry. Lest I be accused of lodging a complaint without proffering a solution, let me propose a better way of expressing what so many priests want to express. Would it not be better to say that priests can be “edified” by their people, rather than “ministered to” by them? “Edify one another” (1 Thessalonians 5:11; Romans 14:19).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition, The Old ICEL Translation of the Mass, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Contradictions place us at the foot of the Cross, and the Cross places us at the gates of Heaven.” (Saint John Mary Vianney)

— Cardinal Merry del Val’s Prayer-Book

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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